Category Archives: Alexandria Station

Stories in the universe of Javier Aritza, Doyle Iwakuma, Jessica Keller, Henri Baudin, and, of course, Suvi

The Voice of Jessica Keller

I have fantastic news!!

As you know, I got amazingly lucky to work with Matt Weight to do the narration for all the Science Officer audio books. And all the future ones I have yet to write. And anything else where Suvi plays. (and there will be more of those coming as I expand the universe.)

So now, I finally get to announce that the audio book for Auberon is coming very soon (as in, I think everything has been approved finally and is going live in a matter of days or a few weeks. More as I know.)

I knew from Day One that I wanted a female to do the Jessica Keller books. Tried out one, but I found her work ethic…questionable. And good female voice talent is hard to find, because the market is so dominated by great male actors. But I got amazingly lucky on my second try.

Melissa is an old friend of my wife, Fabulous Publisher Babe(tm). She works a day job as a project manager doing online training videos. In her spare time, for many years, she had volunteered to read books for the blind at the Washington Talking Book & Braille Library.

She had wanted to get into doing audio books, and sampled a few of mine and my wife’s books, and decided that she liked the art. Then I managed to convince her to do Auberon and the rest. There has been a learning curve for everyone involved, but this morning Fabulous Publisher Babe(tm) awoke to an email that said “VICTORY” and we think everything is now uploaded and just needs to be approved at Audible’s end. (I will post links when I get them.)

Even better, Melissa is already way deep into Queen of the Pirates and should be able to get that out in fairly short order. Obviously, she’s going to get these done probably faster than I can write them, but that just means that folks who do audio books will be able to consume them almost as fast as readers of print.

This will matter soon, as I have book #6 (The Red Admiral) off to first readers now and should be getting it back from them sometime in the next week or so. Then I correct all the things I screwed up in the first draft and send it to Canadian Copy-Editor Babe(tm) for a technical pass.

Good Lord Willing and the creek don’t rise, The Red Admiral will be coming out May 10, 2018. By that point, I should be deep into book #7, Lord of Winter. I really keep hoping that the series ends after nine novels. #6 ran to 135,000 words, because I had so much ground to cover.

In stage drama terms, The Red Admiral is technically a 2-Act play: Everyone’s going to the Big Dance; Everyone’s at the Big Dance. Except that each of those two acts break down into the same format, so you’ll get that sort of movement twice. (You’ll understand when you read it. It is not classical three-act and it moves differently that many readers will be unconsciously expecting.)

And then you’ll get to meet The Holding. The Star Empire ruled by the a Sentient system known as The Eldest. Buran.

If everything works and writer-brain hasn’t been lying to me, things are only “slow” in book #6 and then they speed way the hell up in 7, 8, and 9.

And because some of you are going to ask, Fabulous Publisher Babe(tm) has been giggling at some of the Vo zu Arlo chapters. (So did I, but I wrote them. What the hell do I know?) I like the way this one turned out, and all the things that I have been setting up for future novels.

Hope you are all well and survived the holidays. Be safe, be happy, and have a good 2018.

shade and sweet water,

blaze

West of the Mountains, WA

 

The Last Flagship

The Last Flagship

As some of you might have noticed, the newest Javier Aritza/Science Officer story (#6) is finally available everywhere. What a few of you have also realized is that #7 and #8 are also now available for pre-order everywhere, dropping together on Dec 10.

When I started writing The Science Officer, it turned out to be right at 24,000 words. The second one in the series, The Mind Field, also came in at around that length. When I decided to write more, starting with The Gilded Cage, I made a conscious decision that they were all going to be novellas, rather than novels or short stories. That means, in my head, 20,000-30,000, with most of the recent ones running up against that 30k mark and occasionally over.

Going into this meta-project, I wanted to make the storyline a little less dark and apocalyptic, especially with how grim The Gilded Cage turned out, and so The Pleasure Dome was a lighter, breezier piece that let me start exploring the nuances of the players, rather than just the world.

Which brings us down to The War Of The Pirate Clans. When I wrote The Pleasure Dome, it was just a caper, but I saw where the story needed to go, and that it would be a long, drawn-out affair. And just what I needed to round out Season One at eight episodes. (By the way, I am already into #9, but working on Jessica #6 first right now, plus a few other projects.)

Being (in my mind) a television show script, I wanted a cliff-hanger ending, or a double episode. Until I actually finished #7, I had originally planned to drop #8 in February 2018, but #7 does not stand on its own feet, considering how many people I would piss off if I made them wait an extra two months to see what happens as a result of The Hammerfield Gambit. And it would.

At the same time, I wasn’t going to suddenly make one of the books so much longer than the rest. I like it that Javier comes in at around 25k. Fast to write. Compact story that does not leave any space for extraneous meanderings, so I have to focus. They are a fast read as a result, because you step onto a ramp when you open page one and go.

I have seen other writers in my field, and occasionally compare my style to theirs. I write “fast books” because I paragraph aggressively, which means short, rather than long blocks of text. You read them quickly and get to the end needing a cigarette, rather that spending weeks slowly digesting the tale. Plus, I try to keep my little side stories to just a paragraph, or maybe even only a phrase, rather than a whole section of the book or a chapter that really doesn’t add anything to the overall story, except maybe depth or ideas for other projects later.

So I wrote five Science Officer books this year, fully intending to drop them every two months to keep y’all entertained and happy. And, like I said, #9 is coming, and actually going to be three short stories that all wrap up together, and I have the first of those done and the other two planned and in the hopper to write when I have some space. No spoilers, so I can’t go into too much detail. (Which sucks for me, since only two of you know how The Hammerfield Payoff ends.)

Let us just say that Season Two takes our heroes and villains off in a slightly different direction, and lets me introduce (and re-introduce, in one instance) some exciting characters and get a little more “Sciencey” with my stories.

I hope you enjoy. Thank you for all your support and encouragement. And your understanding that I’m only writing these things as Javier and the others dictate.

shade and sweet water

bd

West of the Mountains, WA

Discoverability

(or: how you can help)

You’re consuming this right now on one of my social media outlets (website, Amazon, FB, Goodreads, etc.), so I’ll generally be safe assuming you know me, or got here through a connection who does.

Discoverability is the problem for the modern indie writer. In the old days, you submitted your story to a publisher, eventually finding one who said yes. After that, they took care of everything: editing, printing, marketing, etc. Your book ended up in book stores, or at the pharmacy, or the grocery, or on the rack at the airport. People walking by looking for something would pick it up, toss a coin in their head, and buy it.

Bang, they have discovered you as an author. If they like you, they look for more of your books. They tell their family and bridge club about you. Others find you. They buy your books.

Career.

Doesn’t happen like that any more. At least not for indies like me.

I own it all (well, Fabulous Publisher Babe(tm) does, and pats me on the head encouragingly on occasion when I say or do something really stupid, but you get the point).

No advertising budget to pay for space on the shelf at B&N. (What? You thought the book store chain selected what to prominently display? No, they rent that space. End caps, islands, etc. $)

Where does that leave us today? This is where you come in.

I’m in a bundle.

Story Bundle wraps up a set of books and makes them available for one low price for a very limited period. (3 weeks, buy it or regret forever.)

To bundle is an exercise in collective advertising. I put a novel into the Moonscapes Bundle along with a group of other folks. I tell all my friends, fans, and followers. They buy it.

In the process of reading, hopefully they find another writer or three they like (us all being on the same general topic: big science fiction in this instance).

So, our sales have been great. Not earth-shattering, but pretty damned good. Time for the next push.

What you can do for me today is send a link to this article to all your reader friends who might be into getting a bunch of SF novels for a low price. And these are some amazing people I got lucky enough to be included with.

Or you share this on your social media page so all your friends who don’t know me from Adam look at it and wonder what this is all about.

This is a Story Bundle called Moonscapes.  And the beginning of the Jessica Keller Chronicles, so they’ll need Queen of the Pirates next.

You can help all of us by doing one tiny thing to advertise. Help me get the word out to more people.

thank you

Science Officer stuff

So, if you have been paying attention, you know that Science Officer volume 4 (The Pleasure Dome) in the series is coming out this Wednesday (5/10). You have pre-ordered your copy, right?

I’m speaking now to your friends, so you should forward this post to them. They’ll thank you, trust me.

Just ’cause, Fabulous Publisher Babe(tm) has decided to reduce the ebook price of The Science Officer to $0.99. So now all your friends can rush right out now and get their own copy, just in time to get addicted to everyone’s favorite goofball AI, Suvi, and then stay up all night reading her adventures, and the organics she has to put up with.

Why is this important? Because I’ll be doing a cover reveal on volume FIVE soon (The Doomsday Vault). It is scheduled to come out on August 10th. (Jessica Keller #5,  Flight of the Blackbird) comes out first, on June 10th. Special Agent Kiesler’s first two dieselpunk adventures come out July 10th.

Furthermore, volume SIX (The Last Flagship) is done and ready to go to the copy editor shortly, to fix all the stupid things where I can’t type or use punctuation correctly. (Seriously, she catches all sorts of shit for me.) The penciled-in schedule right now is October 10th.

For those of you keeping score at home, the Science Officer volumes are as follows:

At that point, I will have finished Season One. I am deep into world-building for Season Two, which will be a radically different sort of place, and hopefully even more fun than Season One has turned out to be. Along the way, I have already written some short stuff that goes between volumes 8 and 9, to kind of frame where we go after the War of the Pirate Clans. (Oh, did I forget to mention the arc of story from 4-8? Whoops.)

My plan is that each Season will be roughly 8 volumes long. With some other things thrown in. I love Javier and Suvi, but I want to go explore other galaxies and other parts of the galaxy. And SIXTEEN PLUS volumes ought to be enough to tell the story. I will let your complaining let me know when I should be finished. If you stop buying them early, or start issuing death threats demanding Season Three, that will be on you.

But the big news today is that there is MORE SCIENCE OFFICER coming, and you owe it to all your friends to introduce them to Javier, Suvi, Djamila, Zakhar, and the beginnings of the Alexandria Station universe. (If you were really motivated, you should by paper copies and donate them to your closest library or little library so random strangers can award you bonus karma points.)


And, as always, please send me a note if you want to be tuckerized sometime. As most of you know, I have a LOT of characters in my space opera. Usually, I randomly generate them on the fly, but I have taken to reaching out to folks I know and asking if I can use them. Recently, I turned someone into a Professor of Political History at the Bryce Academy, because I needed one and he didn’t mind. (Even seemed pleased with it, I think.) You turn can be next.

shade and sweet water,

blaze

West of the Mountains

More Javier

This seemed like a good time to blog about some of my upcoming stuff. The next six weeks are going to be slightly insane with things, as several projects all decided to come together at the same time. (Alternative Truths Anthology: The Last Ranger; Hiding Behind The Cowl superhero anthology I edited, some marketing with Ryan Zee for The Science Officer, the release of the fifth Auberon book: Flight of the Blackbird, etc.)

Most fun is the fourth Javier: The Pleasure Dome, which comes out May 10, 2017 (in case you end up reading this post in the way distant future and are a little lost chronologically.) After number three, The Gilded Cage, went a little dark, I was looking forward to something a little more light and cheery. Or at least as bright as Javier, Djamila, and Zakhar ever get. It succeeded, and at the same time ended up being a fairly deep and philosophical piece.

One of the things I love about these characters is how complex they are. I have known big-name authors who leave the background characters as little more than cardboard cutouts, while at the same time keeping the main characters as unchanging as humanly possible over tremendous arcs of story-telling.

I don’t know about you, but I like to change who I am on a fairly regular basis. The key to my happiness is jettisoning those things that do not delight me, and opening up space for new things to experience. I want my characters to be the same way. We all change as we grow up. We should demand that our characters do as well.

Think about it. Major things have happened to you. Earth-shattering, cataclysmic things. Births. Deaths. Loves. Hatreds. Wouldn’t you expect someone to react to the change? (Except movie James Bond. He never, ever, changes. And most comic-book superheroes use to be that way as well, but our storytellers are getting more sophisticated these days.)

So I finished the fourth Science Officer. And moved on to the fifth: The Doomsday Vault. It is due back from the copy editor shortly, and will be coming out in July, I think. Last week, I finished the sixth: The Last Flagship. Target: Fall 2017. Pretty soon, I’ll start Seven and Eight, which will be a double-episode season-ender. Think television and the cliff-hanger resolved at the beginning of next season.  I’m nice, and not making you wait, so I’ll drop them either a month apart, or maybe on the same day. (Your votes count, do comment with an opinion, if you have made it this far and are still awake.)

The first eight episodes will also be getting the omnibus treatment, according to Fabulous Publisher Babe(tm). 1-4 and 5-8 will come out as both combined ebooks and novel-sized print books. (And no, I don’t know when yet. The publishing schedule is written in pencil. Always.)

For fun, I have started planning out Season Two. I wrote a short story introduction (first 500 words) as part of a homework assignment, and decided that I liked it so much I kept going and ended up with a story I call 8.5. It will be kinda an interstitial between the end of Season One and the beginning of Season Two, and was meant as a standalone, but then writer-brain helpfully explained that it was the first of a handful of little stories we could write and stick in to explain some of the “off-season” changes that happen.

Yeah, it will make sense when I publish #9, at some point. It barely makes sense in my head, okay? I want to introduce new characters, but I don’t want to spend whole stories doing it, since these novellas are always 24,000-30,000 words long. Not a lot of space to mess around. Better to write side stories, like I did with Siren, and the one coming up after Red Admiral (you’ve been warned, so no complaining from the back).

My goal is to get out all the first season of the Science Officer stories so I can take a break and write some other things. Got a lot more superheroic fantasy to write. Want to write some more Fairchild. Got four more Jessica stories to complete to bring her to fruition.

The joy of Season Two is that I created this huge (YUGE!!) gap in my future history. Javier will be born 7510 CE. (Yes, seven thousand and ten, while I write this in two thousand seventeen.) SPACE. Places to work.

In The Mind Field, I talked a little about the founding of the Union of Man, some five hundred years in the past. 6965 CE, for instance. Rama Treadwell will be born in 6848 CE.

Way down the line.

In between, there are four major Eras of starflight I haven’t even begun to explore:

  • Mass colonization (the terraforming)
  • The Resource Wars
  • The Corporate Wars
  • The Pocket Empires Period

Fabulous Publisher Babe(tm) is looking forward to what I have as “The Gas-Sailors Era” in my notes, long before starflight.

Season Two will add some archaeology to the mix, as Javier and the crew move beyond piracy and start exploring and trading. And no, the Prime Directive does NOT hold sway. Just the Bryce Connection.

I’ll write more when I get there, but I’m inspired and pulling the curtain back a wee bit. For those of you old enough, Buck Rogers (starring Gil Gerard) was all action season one, but moved to more exploration and science and less pulp for season two. I don’t think it worked, but that’e because they ruined Col. Deering by making her a bimbo, and Gil Gerard might be able to act his way out of a wet paper bag with a knife. Maybe.

But it offers me an option that is not Star Wars (grand, epic, save the galaxy from evil) nor Star Trek (a bright, clean future where a military organization is exploring and being nice to people). Serenity/Firefly is part of the palette, but they were limited by the political elements, and the fact that Joss never had time to develop a really deep and complicated world. I would have expected Aliens/First Contact sometime in season two or three, if the show had gone long enough. That would have moved us part Reconstruction, et al.

Battlestar Galactica (the first single season, I never bothered with the remake) was too much running away, find something interesting, talk a little bit, and then flee as more cylons show up for the final space dogfight.

And I grew up reading other things. Doc Smith. Robert E Howard. David Drake. Isaac Asimov. C.S. Friedman.

It all goes into the gumbo. And will come out, but they will come out as side projects in between things, rather than me spending the better part of a year dropping Science Officer stories. Of course, if they start selling like mad, I’ll keep feeding that beast. I have a ways to go to catch up with Perry Rhodan, but that’s not the same as me not trying. Tell all your friends, and I promise you I’ll try to crack three digits. You’re gonna have to sell a bunch of them before I got for four. Just telling 100 Science Officer stories would be 2.4 million words, ballpark.  I’d get bored. You’d get bored. Shit would get really, really weird before it got better.

But money talks. Let us not forget that part. And I like Javier, Djamila, and Zakhar. And I love Suvi.

Hopefully you will as well.  And Matt W is on-board to do audio books as well, so more of those are coming too.

shade and sweet water

blaze

West of the Mountains, WA

Overdrive (and stuff)

Background: a great many libraries in North America and other places use a service called Overdrive to acquire ebooks for loaning out. As I understand it, they pay a one-time fee for the title, and can then loan the ebook out to as many people who want to borrow it.

TradPub being stupid and greedy, they usually set that amount to some high price, at a time when most library systems are hard up for cash and cutting everything to the bone just to keep the lights on.

This is at the front of my mind because I was down in Lincoln City, Oregon a couple weeks ago at the Fiction River Anthology Workshop. Fabulous Publisher Babe™ was one of the editors this year. Mark from Kobo was there. Mark who pretty much invented Kobo Writing Life and made it a very profitable and useful thing.

And he likes my wife.

Kobo recently bought Overdrive. The Babe asked Mark to check, and we found out that while her novels are available in Overdrive, mine were not.

Past tense.

Apparently, Mark logged right into the system, looked me up, and toggled the little switch that put all my novels into Overdrive’s computer. (Mark’s kinda awesome that way.)

What this means is that all of Jessica Keller is or will shortly be available on the list, when your library is making purchasing decisions. Fairchild, Imposters, and White Crane as well.

If you wanted to go into your local library, you could fill out the little wishlist card they have and tell them that you want them to acquire the Jessica Keller series for their ebooks. (hint hint)

Best part? We’re setting the price down at the same price as they could buy it from Amazon. ($5.99 US). Stupidly, some of TradPub’s books are as much as $70.

I understand that they charge that amount because then the book is then loaned out any number of times.

But seriously. Blood-sucking vampires.

I would rather people read my books. Hell, as we speak, the fourth Science Officer (The Pleasure Dome) is scheduled to come out in May. It’s a novella, just like all the rest. However, the Babe plans to roll the first four books up into an Omnibus Edition, specifically so that it qualifies as a novel for the purposes of being in bookstores and Overdrive.

And, while we’re on the topic, I’m three-quarters of the way through Book Five (The Doomsday Vault), and plotting Book Six (The Flying Dutchman), Book Seven (The Hammerfield Gamble), and Book Eight (The Hammerfield Payoff). Those four will make up the second Javier Omnibus, and, coincidentally, cover Season One. And yes, I have a title for Book Nine, but I’m not sharing anything about Season Two just yet.

So, do me a favor? Go to your library and ask them to order Auberon. Hell, if it’s a small enough library, offer to buy them a copy. $5.99. Did you really need that extra-grande, soy, caramel, double latte today?

Oh, and while we’re on the topic. Fabulous Publisher Babe tells me that Flight of the Blackbird has gone up for June pre-order on all the usual suspects. Thank you for putting up with some of the weird shit that I have been publishing from my back catalog and strange imagination. There should be a raft of big Science Fiction and some superhero stuff coming over the rest of the year that ought to keep you entertained.

If you really loved me, you could also add a review on something you have read. Amazon and other places generally count the number of reviews a book has, and not the average rating. The Science Officer has 54, last I checked. I’m pretty sure 100 puts me on some cool lists. Auberon had 26 this morning. Is there something else of mine you’ve read that really touched your soul (in good ways, you perverts)?

Every little bit helps.

But Overdrive is really kinda kewl. And not just for me. Have you considered asking your local library to get ebooks by indie authors? Discoverability is the greatest problem we face. I write good stuff, but I don’t have a million dollar advertising budget to get the word out. That’s where you can help me, and all the other awesome writer folks you know.

Thank you.

Merchandising and stuffff….

So one of  the interesting things that came out of the Master Publishing Class this year, at least for me, revolved around physical goods. Merchandise. Advertising given permanent form.

One of my next books to come out will be Uniforms of the Fleet, Volume One. This will be a series of color plates in a coffee table book, set in the Jessica Keller portion of the Alexandria Station universe. Shannon Marie helped me flesh out twelve of your favorite characters, and put them into a fashion show, detailing all the various looks that had only existed as words before now.

You’ll finally be able to see what Jessica Keller really looks like. And Moirrey. Denis is there, plus Navin, Nils, Petia, and even Dash and Goll.

In the process, I had to think about that patch that everyone wears on their left shoulder, indicating their unit. I’ve talked about it any number of times in the writing, but never (ever) once actually given it any thought. Similarly, I’ve described people, but couldn’t for the life of me tell you anybody’s hair color. I hear their voices, but could never see their faces.

So now, I had to have patches to go on those uniforms. Starting this last August, I had a first annual party/barbecue out at the farm. About 30 people joined me this year, heavy on artists. The goal with this gathering, beyond just seeing folks, is to metaphorically build a longer table. (“If the world gives you more, it is better to build a longer table than a higher fence…”) A chance for various people I know who don’t know each other to be able to connect. It was a smashing success, I think.

Along the way, Shannon Marie was asking me for descriptions of the Auberon patch that Jessica wears. And I had zero clue as to what it should look like. None. So I asked the Hive Mind at the table, and sat back and watched as Fabulous Publisher Babe ™ and several other artists bounced ideas off each other and came up with something utterly cool. You’ll see it soon. It is an homage to William Shakespeare, since that’s where Auberon (alternate spelling Oberon, both pronounced with the Oh sound) came from.

So I have Auberon’s logo/patch/badge.

Because First Centurion Petia Nauomov was also going to be in the book, I had Shannon Marie do me up a logo for Athena as well. Again, I had some rough ideas, and she turned them into awesome.

So now I have two shoulder patches for two of the Star Controllers that make up Jessica’s world. (And yes, I might move on and do SC Archimedes (First War Fleet), DN Concord (Second War Fleet), DN Warspite (Third War Fleet) and SC Amaravati (First Border Fleet) in the future, just because I can.)

We talked merchandising during the Workshop. I grew up with lunchboxes and action figures. (And sheets, t-shirts, and everything else George Lucas could slap a logo or character onto.) I’m building out a vast empire of Intellectual Property (IP) that I own, without having sold my book and all my rights to some male bimbo in Manhattan, never to be returned. I can do whatever I want with it.

And we have arrived at the beginnings of the maker culture civilization.

I added a new page and menu to the website today: the Marketplace. Right now, the only thing there are t-shirts for Knotted Road Press and the University of Ballard, but that’s going to change in the near future. I really want an Auberon coffee mug. And we can do that. Slap it on the side of the mug and ship, anywhere in the world.

How freaking awesome is that?

I have not (yet) gone looking to see if I could get lunch boxes made. Or Moirrey and Jessica Action Figures ™. But that’s a possibility. I probably don’t even have to drop a lot of money on the project. Most likely the cost of the 3D renderings in the right formats and scale, and then running them through a 3D printer and stand back. (Someone remind me to poke Joel and ask him, sometime soon. Or anyone else that does this sort of thing in the sound of my voice. Laren? Thoughts?)

Merchandising.

The only limits to my career right now, and my revenue streams, according to Kris and Dean, are my imagination. Me, the guy who writes epic military space opera in the way distant future, spanning 14,000 year of human history (so far). Those are the limits?

Y’all are DOOMED…

T-shirt are easy. Coffee mugs are coming. I really want lunch boxes and action figures. And that’s just beginning to explore my options. Who knows what we could do, going forward?

When I did a contract with Shannon Marie for the art, it was very specifically work-for-hire, so that I retained the IP to everything, no questions asked. At the same time, I also made sure to sign a second contract with her granting her a non-exclusive license to produce art from the Jessica Keller universe, based on the pictures she had already done for me. That way, she could go to conventions on her own with art and get paid by people for pictures she did for them on commission.

That’s free advertising for me,  a revenue stream for her, and happy fans. Building a longer table. Hell, I’m already planning Volumes Two and Three, hoping I can interest her in working with me some more.

So here’s my question for you: the fan, the reader, the casual observer, the smart-ass walking by. What would you like to see? And we’re not limited to Jessica. There’s Javier, Doyle, Henri, Suvi/Summer. There’s Kai Di, Rick, and others. Maybe something from the fantasy worlds?

What is that piece of swag you have always wanted, sitting on the desk next to you? How do we get it delivered to your mailbox, just in time for you to do your happy dance?

Doomed…

 

shade and sweet water,

bd

West of the Mountains, WA

Summer is coming…

So after a lot of quiet for a while, Summer is nearly upon us. I put out the third Javier Aritza story,  The Gilded Cage, in January. (Thanks to all the folks that made it successful. I’ve got #4 plotted out, and just no time to write it for a while with all the other projects I’m committed to. But I’m set.) And then the second CampCon anthology, Horseshoes, Handgrenades, and Magic, came out in March (less successful, because apparently you folks need to spread the word wider so some of the folks in there can make some cash off the anthology).

And then nothing.

Well, not much. Did participate in a project at BundleRabbit that made me now a few new fans, I hope, and let a few people read the next story in the Alexandria Station universe. As a followup, I am part of another bundle running for the next week or so. This one contains Auberon, as well as nine other good novels, so a good opportunity to get into some folks you probably didn’t know yet. Or to convince your friends that I’m worth reading. 🙂

And Summer is coming…

Siren is now available for pre-order.  You’ll remember Vo Arlo from his guest appearances in Queen of the Pirates and Last of the Immortals.  Here he gets his own novella, adventures that take place between Last of the Immortals (Jessica #3) and Goddess of War (Jessica #4, coming this fall).

Sometime in July (I think) Modern Gods Book 1, The White Crane is coming. Superhero fiction where the main character is a young woman who decides to get revenge on the man who killed her best friend. The problem? He’s a super-hero. So she decides to become a super-villain.

After that, I have a new novella starring Doyle Iwakuma and his crew. Following up on the events in The Librarian, the ship is lost and the crew stranded, and only Piper can save the day. All she has to do is break into an ancient temple and steal a god.

As I have mentioned in other places, the fourth Jessica Keller novel will be entitled Goddess of War, and is currently due out around the beginning of November, Good Lord willing and the creek don’t rise. I’m at about 80,000 words right now, and just about to run full tilt into Act IV (of four).

To go along with it, I am currently working with a professional artist friend to do a coffee table book. Uniforms of the Fleet: Republic of Aquitaine. Jessica on the cover, and a dozen color plates inside showing some of my favorite characters in uniform. I’ve always hoped that I would get big enough one of these days that someone wants to cosplay a con that I’m at. I wanted to make sure they had a visual source upon which to base their costume. (Because that would be totally freaking cool.)

I have no idea what it will cost for the print version (color offset or POD is likely to be a bitch, but it will be available as an ebook and I’ll occasionally put up individual prints for folks to look at). This is a labor of love for me, so I can have a true coffee table book to look at. One of these days, I might even do a second one with more people and more uniforms.

At the same time, I have been learning how to sew with a machine (as opposed to emergency repairs and doing buttons). One of my goals, probably next year, is to do a Command Centurion’s uniform that I can wear to cons myself, just because I can.

Later in the summer, We’ll be going to WorldCon again. Its in Kansas City this year, so folks in the midwest who would like me to sign books for them make sure to come visit, August 17-21. Not sure if I’ll do another WorldCon for a while. Was not that impressed with it last year, but it was in Spokane and most of Central Washington was on fire at the time. Have higher hopes for this year.

One final note: I’m planning an open house kind of barbecue out at the farm this summer. Folks in the range of my voice that would like to attend, please send me a note and I might just send you directions and dates. We’re out in the Cascades, kinda East and a little South of Seattle as the crow flies. Fresh grilled critter and other yummies. Bunch of writers and a passel of semi-urbane rednecks.

That’s about all I’ve got right now. As usual, looking forward to hearing from folks with their thoughts, questions, and dirty jokes.

 

shade and sweet water

bd

West of the Mountains, WA

The Ages of Man (An Alexandria Station Timeline)

Depending on how you want to count them, several different dates in the Twentieth Century Christian Era (CE) can become our zero point for counting the future.

The first might be Einstein’s Annus Mirabilis (the year of Miracles) in CE 1905, when he first published the papers that would revolutionize science, including E=MC^2.

A useful second touch point is Chicago Pile 1, the first man-made nuclear reactor to sustain fission, under the stadium in Chicago in CE 1942, under the direction of Enrico Fermi. This is the beginning of an advanced understanding of how the universe itself works, finally translated into practical terms.

Another would be Sir Arthur C. Clarke’s publication of a theoretical description of using near-earth-orbit to establish a network of communication satellites in CE 1945.

I have chosen a more interesting date.

In CE 1961, Vostok 1 (Orient or East) carried the first human into space and orbit, Yuri Gagarin. At that moment, humanity began to take to the stars. It would be a long painful task, but it began there. We were no longer limited to the ground. Other milestones followed, as human and robotic explorers pushed the boundaries of space and knowledge.

But instead of talking about the first century of spaceflight, I wanted to blog today about the history of the future I had to put together when I realized that Suvi was going to try to live forever.

Her birthday was just the other day. I have it in my phone, along with a variety of others, to remind me. For her, it was a rainy Sunday in March. The day was March 18, CE 7426. (The app I use, Easy Birthday Reminders for Android, is smart enough to show her age as -5410.)

In the fifty-four centuries between then and now, lots of things will happen in the futures I’ve imagined. I’ve alluded to them from time to time. Today I felt like listing them out, so people have a feel for the when behind the Alexandria Station stories.

(I have them all organized on a spreadsheet that I currently have open. There are over one hundred entries right now.)

The Gas Sailors stories will take place around CE 2344. They involve colonies on the four big outer planets: Jupiter, Saturn, Neptune, and Uranus. (Assuming the newly-described theoretical Planet IX does not get located soon. The man who killed Pluto thinks there really is a ninth planet out there, the definition of planet being a body large enough to sweep its orbital path clear, which Pluto does not do.) There will be adventures on the scores of moons, plus Kuiper objects and comets. Think very, very hard science, the kind that might bog you down on getting the orbital physics right. (I tend to write popcorn science fiction where the technology is kind of hand-waved off, because I don’t want to write technobabble about technologies that don’t even follow our current models of physics.)

According to my notes, the first starflight takes place in CE 2903 and opens up the first era of practical interstellar exploration. It is during this period that humans discover nobody is home, and begin the process of terraforming worlds by dropping customized modification packages on them.

The era of mass colonization begins in CE 3215, after enough worlds have gotten close enough to Earth that humans can walk safely on the surface of some of them.

For those of you who have read The Mind Field, you might have a feel for some of the to-her-recent-history periods Wilhelmina Teague knows.

The Resource Wars begin around CE 4334.

The Corporate Wars are going to be fought starting in CE 5838.

Finally, the Pocket Empires Era takes off in CE 6516.

Rama Treadwell was born in CE 6848 and disappears from human history in CE 6896, with the Unification Wars collectively starting in CE 6903.

Imperial Balustrade is proclaimed in CE 6930, and the planet A’Nacia is destroyed on standard August 15, CE 6964, leading to the Union of Worlds in CE 6965.

Wilhelmina Teague will be born in CE 7029, but she never me told her birthday and I didn’t ask. I do know she was trapped in the minefield in CE 7059, and rescued in CE 7548.

The Concord is founded in CE 7118 at the time when the Union of Worlds and Balustrade are beginning to ebb. By CE 7382, Neu Berne was a major player and started a long series of low and medium-impact wars that eventually escalated into the Great Wars that fundamentally crippled Neu Berne, The Union, and Balustrade, leaving The Concord as the default Hegemon for most of the (Earth-centered) inhabited galaxy by CE 7472.

Javier Aritza was born in CE 7510. Zakhar Sokolov was fourteen years old at that point. Djamila Sykora will be born three years later. They all meet for the first time in CE 7547.

Time passes and we have a major gap known collectively as The (Middle and Late) Concord Eras.

In CE 10389, the Liberty Front is founded as a political party dedicated to ending the dominance of Earth in galactic affairs. Five years later, they transformed themselves into a formal military outfit and declared open war. This involved mass production of AI-piloted warships that did not have human crews and were not programmed with the preservation of human life as one of their prime tenets.

This would have impressively negative consequences when one of these fleets, commanded by a Sentience and without any human intervention, decided that the most efficient way to end the threat of Earth was to destroy it. The mixed human and AI fleet defending Earth was defeated by suicide tactics of the Sentience, after which a number of damaged warships were deliberately piloted into the lower atmosphere of the planet to explode, wreaking unbelievable devastation.

When that was insufficient to complete the job, the robots began wholesale bombardment of the Earth and destruction of all orbital platforms and off-planet bases. This eventually took the form of attaching big enough engines to large enough rocks to slam miles-wide meteors into the planet repeatedly.

When they were done, the gravity of semi-molten Earth had increased nearly five percent and all life on the planet, land or sea-based, was over.

In retribution, Earth-based forces did the same to the planets of The Liberty Front.

In ten years, almost all advanced manufacturing, galaxy-wide, came to an end, there being no automated factories of any significant size left. In a generation, most of humanity collapsed, and significant portions of it died off. Those worlds that survived generally fell back to extremely primitive technology levels, from which a few would survive, thrive, and re-establish modern culture.

Zanzibar recovered stellar technology first, in CE 12206. They made first contact with Ballard in CE 12243 and established trade relations. Vanessa, the daughter of the first Zanzibar Ambassador to Ballard,  married a local (aquatic) sailor named Thorson. Their fourth child is Doyle Iwakuma, the famous explorer, born standard CE September 17, 12263.

Ngoma Mwisho, The Last Waltz, first flew in CE 12295, and Doyle rescued Suvi from the darkness in CE 12300. Alexandria Station was completed in Ballard orbit in CE 12305 and would be Suvi’s home until CE 13441.

Henri Baudin was born in CE 13059, and famously walked The Story Road in CE 13083.

Emmerich Wachturm, Imperial Admiral of the Red, was born in CE  13391.

Jessica Keller was born in CE 13405, and takes command of CVS Auberon in 13439.

Suvi will make the acquaintance of Jean-Pierre Orfèvre in CE 15006.

 

And the rest, as they say, is history.

Bundling, or, welcome to the brave new future…

The concept of book bundles has been on my mind recently. Partly, as to the timing of my spring, partly as a series of conversations with Fabulous Publisher Babe(tm) about the many possible futures of indie publishing.

In about three weeks, Knotted Road Press will be publishing one of my stories in the second CampCon anthology, Horseshoes, Handgrenades, and Magic.

An anthology is (loosely) defined as a collection of short stories by different authors, assembled into one package for purposes of sales and marketing. In the old days, the only way to read short stories by an author you liked was to find them in a magazine such as F&SF, or Asimov, or Alfred Hitchcock Presents; or to pick them up as part of an anthology, either grouped under a theme, or in a Year’s Best kind of collection. If you were lucky, the publisher might roll up a set of short stories from a single well-known author and publish a collection, but those were rarer and harder to find.

Today, with the internet and the rise of the electronic bookstore, any author can publish just about any story they think will sell, and, assuming they price it correctly, make money at it. I was listening last night to an author I know talk about how surprised he was that his short fiction had become such a significant portion of his overall income stream, sold individually.

It is a lovely place we live in today.

However, the problem you run into then is discoverability. You might be writing fantastically entertaining stuff, but so are thousands of other folks, so readers have a hard time locating your words to discover that they have to buy them ALL.

One of the ways around that for a writer is to be in an anthology. That way, you advertise yourself to all of your fans, and they (hopefully) buy it and read it. In the process, they will likely read all the other writers and find things they like.

[As a side note, I am putting together an anthology this year with some folks I know, for publication next year, EXPRESSLY for the purpose of exposing each of our fans to the rest of everyone’s fans. And so I can learn all the weird, little technical crap that goes on behind the scenes of making an anthology, with folks I can trust to be professionals about those sorts of things.]

As I writer, I get access to all the fans of the other writers, when when one of they fans buy it to read the person they fan-girl over. I know I can tell a good story. (It might not be to your tastes, but that’s a different story.) If I can reach them, and they life me, then I have a chance at generating a good halo. That’s where someone reads my story in the anthology and decides to go see what else I have, and end up buying some books. Hopefully, all of them.

So I am going to be in an anthology in March.

Every time I publish something, I have a chance to hit it big, and I have potential exposure. More readers means the possibility of more fans. That’s what the CampCon anthologies are all about.

At the same time, I am also going to be in a book bundle in April. A book bundle follows the same general rules as an anthology, but works with stand-alone works. Usually, these are novels, again under a particular theme, where you pay one flat, low fee for part of the bundle, or a larger amount for the whole bundle. Frequently, you can get the whole set of novels for $20. Compare that with $25 you spent for a single hard cover recently, or $12-15 for the ebook version of your latest best-seller.

Our target is not the casual reader, who consumes 3-5 books per year, but the voracious reader who goes through 10 books per month, every month. Bundles are a good deal for them, because it feeds their otherwise expensive habit.

For the writer, just as with the anthology, you can get exposure, because people will be attracted to the bundle for “their” author, but will also find you and hopefully like you well enough to read your book, and then bounce out to look at the rest of your catalog with their credit card in hand.


 

I’m going to be in a bundle in April. And I’m excited.

The bundle is called “Middlings,” because these are shorter works, running 10,000 – 30,000 words instead of the usual 60-100,000. For most authors, they can only indie publish things that are this length, because magazines want stories under 6,000 words, and traditional publishers want them over 60,000.

What falls in between is a wasteland. The Island of Misbegotten Stories.

I have had success in what we call novellas. All three (so far) of the Science Officer books are this middle length, as is The Story Road.

What’s coming in April is the initial publication of The Siren. This is another novella set in the Alexandria Station universe. The main character is Vo Arlo, the Security Marine off of RAN Auberon, who has a small part in Queen of the Pirates, and a larger role in Last of the Immortals.

After the events of Last of the Immortals, a significant amount of time is going to pass (spoilers not explained, you have to read the novel to understand) and I’m planning for Vo to have a fairly significant role in the fourth Jessica Keller book, Goddess of War.

For me, the best way to flesh him out as a character then is to write a story about him, for him. It is an old technique, but it has a new lease on life these days, because I can take something around 18,000 words and put it out on the market. Readers can enjoy it and support me. The universe gets richer and deeper. Everyone wins. Once upon a time, I would either have to throw it into a trunk (we usedto call this sort of thing a “trunk story” for that reason), or rework all those details into some other novel, because I couldn’t publish an 18,000 word story by itself.

BTW: I’ll have links to everything soon.

The key realization today, your takeaway, is that walking into the bookstore to find the next big thing you want to read limits you to only those books that have been traditionally published. (Technically, you can walk into most bookstores and place an order for most of my works in print. They would call the warehouse. Someone would download the file, print the book, and ship it to the store. When you buy a print book version of mine off of one of the big retail websites, that is exactly what happens. You have to be in Portland, OR to be able to just walk in to Powell’s in Beaverton and pick it up right there on the shelf. Thanks, Peter.)

Instead, you can go look for bundles and deals on Kobo, Amazon, and iTunes, or go out and search for book bundle websites like Story Bundle, Humble Bundle. Finally, you can sign up for Book Bub, or The Fussy Librarian and they will send you curated daily links for book deals you might like.

What I’m trying to say is that there are now LOTS of different ways for you the author to find more readers, and a tsunami of ways for you the reader to find you.

More and more, the future of books is discoverability. For many of us, one potential avenue is bundling. Hopefully, it makes us all happy.

shade and sweet water

bd

West of the Mountains, WA