The Lazarus Alliance

So I have a new series coming out in January 2021. The Lazarus Alliance.

  • Escape
  • Return
  • Rebellion
  • Revolution
  • Liberation
  • Retribution
  • Alliance

Those seven covers us from January through July, and I already have other things coming out after that as well as during (non-SF drops in the spring, as it were).

This is a new universe, unconnected to anything else I have as yet written. Partly, that was a subconscious response to the Alexandria Station Universe. There are no true aliens in Alexandria Station. Other than Humans, the Sentients are the only creatures you will ever encounter.

I felt the need to dabble with aliens. In fact, at the time, I was making a list of every sort of mechanism of ground locomotion I could think of (since expanded), and then created species around them, including old testament angels from Ezekiel 1:16.

But the story really starts in a bizarre place for me.

Usually, I open a new word file and start piling in notes after inspiration hits. Build up the world, the setting, the math, the science. Then I move on to the people, adding heroes and villains as needed.

That did not happen with Lazarus. In fact, I was laying in the tub soaking and meditating one night, like I do, when the image hit, followed by the words. It would not let me go.

So I got up, dried off, and got dressed. Opened a new file on the computer and literally started typing. The first chapter of Escape as you will read it is not much changed from what flowed out of my brain that night. I didn’t even have a character, just an unstoppable need to write.

So I wrote.

It was only after a few days when I caught up with myself and realized that I had a book one of a new series.

A captain who is supposed to go down with his ship. Flying an experimental warship whose secrets must remain hidden lest the enemy get hold of them and figure out what he had done. Ambushed and afire, he orders everyone to abandon and plots a course into a nebula that he expects to kill him and destroy his ship.

Hell of a way to die, but necessary. That term comes up a lot in the series. Necessary. We do things because they are necessary, not because we want to. Because we cannot avoid the responsibility that comes with the uniform and the oath.

From there, I jumped back to aliens and tried to figure out what happened to my guy. Mind you, he still doesn’t have a name, but has survived what was supposed to be suicide. That’s when the name Lazarus of Bethany popped out of my backbrain. Jesus brought him back from the dead in John.

From Wikipedia (https://en.wikipedia.org/wiki/Lazarus_of_Bethany):

The biblical narrative of the raising of Lazarus is found in chapter 11 of the Gospel of John. A certain Eleazer (whence Lazarus) is introduced as a follower of Jesus who lives in the town of Bethany near Jerusalem. He is identified as the brother of the sisters Mary and Martha. The sisters send word to Jesus that Lazarus, “he whom thou lovest,” is ill. Instead of immediately traveling to Bethany, according to the narrator, Jesus intentionally remains where he is for two more days before beginning the journey.

When Jesus arrives in Bethany, he finds that Lazarus is dead and has already been in his tomb for four days. He meets first with Martha and Mary in turn. Martha laments that Jesus did not arrive soon enough to heal her brother and Jesus replies with the well-known statement, “I am the resurrection, and the life: he that believeth in me, though he were dead, yet shall he live: And whosoever liveth and believeth in me shall never die“. Later the narrator here gives the famous simple phrase, “Jesus wept.”

This is a man who sees himself saved, and decides that there must be a reason. He must find out what happened, and solve it, so this is also something of a mystery.

From there, aliens.

A friend of mine has the opinion that the reason aliens have never visited us on earth is that we are big, violent, and insane creatures that should not be let loose on the galaxy. I do no disagree with him.

Face it, we’re space orcs, when most people expect pretty space elves out there watching us in utter horror, and probably placing bets on when and how we manage to kill ourselves.

Thus, Lazarus sees himself as an orc, and the people he finds do as well, because humans are taller, heavier, stronger, and more violent than any of the species that they know. And I had fun creating the people who will rescue Lazarus. They must be smaller and weaker. Must be more casual and less prone to violence.

For fun, I made them smugglers and now I have evil overlords to deal with, in addition to spies and enemies. Eventually, it turns into a war with five sides, which are always ugly, messy things.

By the time I was done with book one (Escape), I knew the overall arc of the series. There were only supposed to be six, but book six (since renamed Retribution) had so much ground to cover that I just gave up and chopped the story in half instead and beefed it up more than I might have otherwise.

Each of them runs from sixty to about seventy-five thousand words, with the whole arc running about four hundred thousand combined, just thumbnailing it from here. Not sure there will be other stories. I mean, as always I left it open ended but this one is truly Space Opera, so we’re shaking the pillars of Heaven by the time we end Alliance, and I’d have to go somewhere else if I wrote an eight.

But I had a lot of fun writing this. Hopefully, you’ll have a lot of fun reading them.

And stay tuned for all the other stuff I’m pulling out of the trunk in the spring and summer.

Blaze

West of the Mountains, WA

Eating Healthy 2021

So I do a twice-monthly writer newsletter as part of my social media existence. Other people do more, some do less. We all have our comfort zone. Some folks do FB. Other IG. Or Twitter. The key is to find that thing that you can do and largely ignore the others because that’s a rabbit hole that you can drown in if you aren’t paying attention.

Along the way, my regular blog went from more than weekly to less. Or rather, the quarterly newsletter went monthly, then twice monthly. And I added a Patreon Blog every Monday. And I added a second newsletter for Indie Writers (Milestone) in addition to the personal one. Something had to give.

But I try to keep this blog alive, because there are (hopefully) folks out there listening.

It’s Monday, the beginning of 2021. First day back to the office job for a lot of folks. (I never generally take a day off, but I have a better job than most of you.) We have emerged from the weirdest Christmas most of you will hopefully ever know, and now are looking at a world on the verge of getting its shit back together, or completely coming apart. (I will let you know in June.)

Most people eat too much food and chocolate over the holidays, and end up gaining a lot of weight that they may and may not manage to lose again later. And we’re all getting older, so things don’t work as well as they used to and we don’t burn calories as fast.

Was having a chat with some friends the other day and one fellow, all of about nine months older than me but a former Rifleman and life-long martial artist, was talking about how badly his joints hurt in the morning and how much fun he had trying to go down stairs in the morning for that first mug of coffee. As in, maybe faceplant along the way and kill himself.

One of the things that marks me and Fabulous Publisher Babe™ apart from a lot of folks I know is that when we identify a problem, we figure out a solution and implement it. We call it ‘becoming someone new’ to mark that the old person needed to change. And it happens several times per year.

For me, a few years ago I was identified with stomach issues and the doctor suggest OTC Omeprozole. Worked, so I take it every morning, along with a handful of dried cranberries, because I’ve had kidney infection issues for the last thirty years. And I’m 51 now, so I added a men’s multivitamin to the daily mix a few years ago.

My breakfast usually consists of a stew I make each week and toss in a casserole dish. Meat from the day old corner that I freeze, usually pork or beef, along with a chicken thigh I get at the Japanese market. Sometimes I get lucky and find lamb, goat, or veal. I add fat, either duck or ham. Bones when I have them, or bone-in cuts of meat. And then I have about 12-15 different frozen bags of veggies. Kale, spinach, dandelion greens, mustard greens, celery, bok choy, carrots, cauliflower, broccoli, red cabbage, some of those salad mixed that are good, etc.. Add vinegar, garlic, fish sauce, mustard, tomato paste, anchovy paste, cayenne, and other spices in a random rotation.

Healthy, because I get all manner of trace vitamins and minerals on a weekly basis, and the flavor rotates regularly. (I still get a couple of takeout breakfasts from Krain Corner to help them while they are closed. When they open I’ll go back to archery with a stop there first once a week.)

The message I want you to think about is eating healthy. Making little changes. She reminds me that I had too much sugar in my diet, because I like sweets and used to have both a big dollop of honey and a bit of molasses with each mug of coffee. So I started to wean myself. Cut both back. Ran out of molasses and won’t get more. Down to maybe a quarter of the honey I used to consume.

I had originally gotten into honey because local honey helps with allergies. It failed badly this past year, but then we discovered that I might be allergic to daisies, and I had a serious book mold problem, because we picked up a couple of room purifier air suckers, and I’ve gone from sneezing all day to maybe not sneezing today at all. And let me tell you how weird THAT is for me.

The other thing we added recently, and this is what I told my buddy, is that I have started making gummy treats as a delivery mechanism. Fruit juice, maple syrup, citric acid, and plain gelatin following the original recipe, to which I add Hyaluronic Acid, Chondroitin Sulfate, and Gluocosamine HCL.

I messed up my left knee last year working on the barn roof. Never went to the doctor, but it felt like I stretched an ACL as far as I could without actually tearing anything.

Started taking just regular Hyaluronic Acid in capsules, and within two weeks the knee pain went from a three to a one. Some days to a zero. HA apparently acts as a joint lubricant, and OMG was it wonderful.

Circling this shaggy dog story around, I do two newsletters. On the 15th, we talk about the latest publishing news, where I have published a new novel on the 10th. But on the 1st, we do the Anti-Stodgy/Redneck Chef newsletter, where we talk about all the things I do to stay young of mind, heart, and body. And the weird recipes I have had to come up with because she and I have some strange allergies. (She’s functionally Keto and Paleo, but also partially vegan, as she is allergic to eggs, dairy, and few other things. I have to work to come up with new recipes, so I share them.)

This isn’t to shame you, although I suppose I ought to, just a bit, because soda pop is probably terrible bad for you, both in terms of calories as well as ingredients. But a small change now will make your life better or at least not worse in a year, in five years, and a generation.

At 51, I want to be still writing for another forty years or so, and maintain a crazy pace of weird and exciting entertainment for as long as I can, with one of my adult grandsons and one of her teenage grandnieces eventually being groomed (if interested) into running our sprawling publishing empire.

To do that, I need to eat healthy. Most of you know what that looks like, but refuse to actually make those changes because it might be too hard, or means giving up something you love. I understand. I tossed an unopened box of Spree into the trash over the weekend. Anyone who knows me (really knows me) is standing there utterly agog right now at those words.

But I want to be still a pain in the ass when I’m eighty, so I need to make changes now. Eating healthy. Weaning myself off of bad foods and sweets. Trying new things so I don’t get stodgy.

Having fun.

Get off your ass and look in your refrigerator and cupboard. What one thing could you start to wean now, that would mean less weight this time next year? One fewer Coke daily? One fewer dingdong? Stop eating bread, or cut your consumption in half?

How do you stay alive so you can rub it in all those faces a generation hence?

And how much fun can we have along the way?

2021 Aspirations

I am not going to call this anything silly like “Goals” because 2021 is likely to be even more messy than 2020 was. We went into this past year with the impeachment (remember those halcyon days of innocence?), and that brought with it an expectation that sales would take something of a hit, as people would be focused on the news instead of space opera or mystery.

From there, it would be a presidential election, and those are always good for a hit on the reading side for the same reason, running from about Sep 1 to about Dec 1. Every four years like clockwork.

And then…

I’m not generally in Kindle Unlimited. (Exception: we put the Star Dragon novels up as an experiment this fall. Slightly better than Meh results at this point, but I digress.) Folks were suddenly home a lot starting in March, as the world came to grips with an unknown disease and shut down to try to fight it.

On the plus side, people needed entertainment. On the minus side, they tended to binge on various television shows, to the point that they fought and often defeated the various level monsters at the ends of Netflix, Hulu, etc.

However, a lot of people were also out of work, or saw their hours cut, or had greatly heightened concern about income. Kindle Unlimited (an all you can eat service) folks saw a big jump in page reads, anecdotally, because folks could do that without spending any more money than they were right now. Same with the streaming services. GORGE yourself now. Save your money.

So my sales were down considerably for much of the year. We’d budgeted for bad, but this was worse, so we cut expenses to the bone everywhere. No more audio books. No more translations. No eating out, except that I dedicated a portion of my monthly budget to one of my favorite restaurants and got take out regularly to help them stay in business.

One bright spot was an email from the US Government’s Small Business Administration offering us a loan of up to $25,000 USD on incredible terms. We took out $9,000 to get the next two Science Officer books (3 & 4) translated into German. (Look up “Velocity of Money” sometime to understand why things like that are useful.) Those will be coming out shortly, and have helped with my German readers, as those folks like a good space pirate story and many of them are bi-lingual enough to step over and read my English-language catalog as well. (Germany moved up to my second largest nation in both sales and income in 2020, displacing the rest of the English-speaking world along the way, behind only the US.)

I did manage twelve novels published monthly. Plus a few others. Four issues of Boundary Shock Quarterly. Two episodes of Blaze Ward Presents. 1.4 million words written. Fifteen novels. Fifty-one shorter pieces of various flavors.

It was a good year for writing, because my words was something I could control. Had to put some projects to the side, either for economic, social, or psychological reasons. Hoping to cycle back to them at some point.

So now we’re endgaming 2020 and I need to look at 2021. I will talk about aspirations, but not concrete goals, because there is a lot of putting-back-together yet to do.

Staying on the one novel per month pace. About a quarter of the way into the seventh and last Lazarus novel. Those should come out Jan-Jul of 2021. Got a lot of other science fiction/space opera novels in the can right now, and will continue writing more on those series, as well as circling back to The Science Officer. And maybe even another Dominion book or two, depending.

I have the first two novels of a sword and sorcery fantasy trilogy written, taking place after the end of Rebels. In addition, I have a new sword and sorcery fantasy novel written for what might turn into a series at some point, but this book stands on its own.

All of those will come out off schedule sometime next year. What that means is that I will have science fiction every month, AND ALSO will drop other things as well, so everyone will just have to pay attention. They will be obviously fantasy and not SF by cover, blurb, and such, so anyone whining that they expected ray guns when the cover is an orc in plate mail with a sword in hand, well, they get what mockery they deserve.

In addition, I wrote what was very obviously Book One of a straight Urban Fantasy series a while back. It will come out on its own, and hopefully I will have the time and inclination to write more of them.

And then: I just finished an Occult Detective novel set in London in 1924. First person to read commented that I got all the tropes right and entertained the hell out of him, so that’s a good sign. Will write more about Augustus Dexter Derlyth next year, and put those out. Unlike the Urban Fantasy, the Occult Detective stands on its own perfectly well.

I even have some straight Action/Adventure. One set in 1977 qualifies as “historic” and the other was intentionally set in 2018 so I could control the timeline and take into account the pandemic when it hit.

From there: I have a crap ton of serial short fiction I have written. Kumiko. Yasmin. Peter Najjar. Pizzafarmer. Flight Officer Brannon. Etc. Some of those will come out individually. Eventually I will have enough to do series collections (my goal is always more than 40,000 words combined so it weighs like a novel.) Already do with Yasmin. The others might need fortifying.

I even wrote a Hard-boiled private detective this year. Gunderson. Set in 1955 and about as weirdly Spec fiction as it gets, as I intentionally set out to explore every weird trope I could get. Think Kolchak, The Night Stalker. Gunderson might be his dad or something. We do science fiction, horror, paranormal, fantasy, and even straight historic mystery. Let me put it to you this way, any sort of weird shit might walk through his door with a case, so we’ve so far explored Cthulhu, super heroes, aliens, Hellenic gods, kaiju, and I still have list of maybe twenty others to go after at some point.

Looked at a different way, I probably published about a million and a half words in the last two years, and wrote closer to three million (just on either side of 1.4m twice). That leaves a lot of stuff in the trunk.

Some of it remains in the trunk, mind you. Not every experiment works. I have a set of five short stories intended to be a serial, but by the time I got to the end of five, it was obvious I had a problem. The characters were solid. The setting deep. The problems obvious and fun. But the tone had shifted radically, from rather light and silly at the start to kinda dark and ominous by the end of the fifth one, which in no way was the end.

Trunked, but I like everything about it so much that I do intend to start cold with the whole mess at some point and do a hard redraft, playing for the epic scale of what I originally intended. It will be a fun series, but it also has to be novels, instead of serial shorts. Too much going on. And eventually I stumbled into the epicness of the core. Way bigger than I thought on page one, so I have already led my readers astray by page two, based on where I intended to go in the end.

So I have science fiction/space opera aspirations in 2021. Lazarus 7 (Alliance) will be done close enough to count as a 2020 title. I have two Giles novels done (of five, I think). Three books in the Air Pirates of Cyrenaica (of five in this arc). Book One post-apoc “steampunkish” novel of a series. The first novel in a new Phil Kosnett series, set after Jessica Keller concludes in Petron. The first Kincaide novel (originally three, I already know there will be five, but book one clocked in at 165k and they will all be that heavy.)

On top of that, I have notes for an early 19th Century “Aeropunk” series of HARD sf. A new dark epic series tuckerizing Alison Kosnett (wife of the Ambassador) because she was feeling left out. (Turning her into a badass assassin chick.) And a couple of other series I want to undertake at some point.

There will be more Science Officer. (The response to The Bryce Connection and Alien Seas has been far in excess of what I expected, so thank you.) More Handsome Rob. More Greyson Leigh.

Sometime in the spring, you will see the first part of a sequel to Fairchild. Background: in 2018, I went to the Fiction River Anthology Workshop, like I used to do every year. I didn’t participate, because those things were an arms race, but Fabulous Publisher Babe™ always did. That year, one of the themes was “Dragons,” but the editor specified that she wanted stories where the dragon was a character, and not just a villain/menace/monster.

[Hint: she was not entirely happy with the results.]

I always sat in the back of the room in the evenings, learning how to be an editor from a cast of industry experts with more than a century of combined experience. Listened to her ranting about things and how unhappy she was with the outcome, but she did manage to make it work eventually, mostly by moving things around and editing her own theme call to cover more of the stories. They weren’t bad, just not what she wanted.

I got inspired, listening to her. Went home the next week and wrote a short story called “Strawberry Dragon.” It was the next Fairchild piece, originally intended to bridge to the next novel. Sent it to that editor (a personal friend) with the email subject line “This is all your fault.” and explained how the story had come into being.

Two days later, she writes back. “I want this for my anthology!”

Uhm… Okay? Sure. Yours.

Would have been my first professional sale ever.

Past tense.

As with everyone else, the world fell out from under Fiction River, and they reverted all the stories. Or rather, she asked Fabulous Publisher Babe™ to publish Dragons on bundle rabbit as a royalty share, if the writers were willing. Enough of them were, and my story was included. It will come out in the spring as the next “Cutter’s Final Cut” (I also had a story in Unlikely Heroines, from the same source, but that was me filling in with a story when she had space, rather than being part of the original.)

So, fast forward. I went ahead and just picked up the story from the end of the short and wrote the rest of it into a novel. Strawberry Dragon. Will come out in the summer, probably next after the Lazarus series completes. So August, I think. Don’t hold me to that, as these are all aspirations, and not concrete goals.

“Always write the publishing schedule in pencil.”

So that’s where my brain is coming up on the end of 2020. Got lots of stuff to publish. Even the start of a schedule, but nothing set in stone. You’ll get what I can do, and I’ll keep writing like mad to try to get all these stories out of my head and onto paper.

You will have something like 16-20 novels to pick from. Four Boundary Shock (already have three of the stories written). One Blaze Ward Presents (going to annual now, instead of semi-annual for reasons.)

Stay tuned here and on my newsletter. Listen in on my Monday blog post on Patreon as I discuss the nuts and bolts of my week.

And have a lovely holiday season.

In Memorium: Terry

Oct 20, 1940 – Dec 19, 2020

My Mom, Terry Lynn (Brodbeck) Ward died sometime last night.

She’d been in hospice for that last six weeks or so, once it became clear that the cancer behind her eye had rendered her blind and created so much pressure on her brain that her cognition was rapidly going. She wasn’t really home, from what my sister has told me.

I did get to talk to her right after her birthday, but she’d grown so “forgetful” that her cell phone constantly ran out of juice from not being charged, and by the time we realized, it was too late to get a land-line installed.

Surgery to remove the tumor was likely to kill her, as was the chemo, so there wasn’t much to do save make peace with it all. I have talked to my two sisters more in the last month than in the previous decade, most likely, but ours hasn’t ever been a warm and fuzzy kind of family.

I did get Mom to write a book several years ago. Her grandmother Ruth had owned a traveling family carnival in the late 19th Century, and my grandfather Mel and his siblings all worked on it, both before fighting in World War Two and after they came home.

Each week, they would travel to a new little town and set up. Great Grandma Ruth ran a family sort of thing, with rides and games, rather than some of the weird shit that some places did in the old days for shock values. In the late 40s, Mom got to spent her summers in all manner of little towns, then the whole caravan would pack up on Monday morning and drive to the next place.

From her blurb:

“When I was growing up, I thought all children spent their childhood living on a carnival. It wasn’t until I was taking an English class in college that I realized my early years were unique.

I was a carnie kid until I was ten years old, longer than any of the other cousins. For this reason I feel it is important to tell our story. It is a piece of Americana that is lost and won’t be repeated. Later generations won’t understand what it was like in America in those years. If I don’t share my childhood, it may be gone. We had a great time. I think this early lifestyle influenced the kind of person that I am now. I still like to travel and explore new places. Curiosity is a part of my life.”

Find Terry’s book here.

Mind you, this was before television or shopping malls, so a carnival like this might have been the height of a kid’s summer when it came along.

She lived in Seattle with me for several years about a decade ago. At the time, her hearing and eyes were both poor, so we ended up getting her cataract surgery and hearing aids and gave her another decade. I remember her looking at me at one point and saying “Well, I guess I’m not supposed to be dead after all.”

But she got that extra decade, and many friends.

Terry Lynn Brodbeck Ward is survived by ex-husband Stephen, her brother Ken, daughters Cindy and Julie, son Blaze, and all the myriad generations that followed.

The Hero’s Journey VERSUS Seven Point Plot Structure

So I never intended to be a writer, in the way of many of the folks I know. They were all in on English, literature, creative writing, etc. I actually wanted to take a speech class for my last semester in High School, but the lovely bitch assistant principle explained that if I wanted her signature on things, I would take a creative writing class instead.

[Archaeological background: I started college when I was sixteen, so getting official signatures for approvals on variances in education factored heavily into a lot of my life until much later. To this day, I can’t be sure that “adults in the other room” didn’t have a conversation when I wasn’t around, intended to push me into the field of art. It failed. My undergraduate majors were Political Science and Philosophy, with a Minor in Geography (which was a nice way of saying I have a map fetish).

In college, I took one creative writing class that was so wonderful I stopped writing entirely for several years afterwards. (Vicious woman who hated all men. I had been warned that I could not get an A from her going in. I was very obviously her favorite student, and got a B+ from her, while almost every female in class got an A. Interesting, huh? But it reinforced that I could write poetry and needed to skip all that other shit and get an education so I could have a financially-rewarding career.]

All the above is to say that I had a weird relationship with the English language as a kid. Never learned a lot of the rote tools they taught, because of reasons. I learned more about the technical structure English by studying Spanish, German, and Latin than I did from any of my English teachers along the way. But that’s a story for another day.

Recently, I went deep into that thing called the Hero’s Journey, looking at it from the standpoint of several different folks, all of whom had officially-recognized opinions. I’m familiar with the pattern, but at the same time I was reading up on that topic, I came across a news article with much wailing and gnashing of teeth about how Tolkien and Lewis had once set up a program at Oxford specifically to teach people how to write fantasy as we have come to understand it in genre literature (Epic or one of the sword and sorcery variants here). The program apparently ran from 1931-70, but the folks it had trained were now all retiring and the writer was furious that so much would be lost. So I dug in to what he was demanding we teach.

Tolkien taught something like the classical Hero’s Journey (more later) but shaped everything around an extremely narrow range in time and place, as a sort of 12th Century, Anglo/French world upon which everything was built. If you read his stuff or any of the innumerable folks slavishly mimicking him, they ALL BLEED TOGETHER.

That’s fine if you’re into that exact story, but I find that it you have read one, you have read almost all of them. The only thing that changes are the names of the characters and the kingdoms. It’s almost like Romance in that way, where things are on rails. Hard rails you can never deviate from.

So back to Hero’s Journey. There are a long set of steps that must be followed, in order to tell this story. Lovely. Good. In science fiction, we call most of that stuff setting.

However, the thing that jumped out at me was the critical importance of how the character must be shown in their native environment, being utterly mundane before something terrible happens that causes them to leave home forever for some grand adventure.

In deft hands, it can be done masterfully, but most of the folks I have ever encountered in the field of epic/sword fantasy are probably hacks. You end up with several chapters of the characters mostly standing around and doing nothing, so you can show just how terribly unremarkable their lives are. I grow bored, because nothing is happening. ONLY MUCH LATER does a plot actually happen. Theoretically.

After digesting that maybe this was the reason I had such problems with fantasy, I went and looked at my various bookshelves.

People who knew me in the wayback can tell you that I used to have a lot of books. As in, 30+ bankers boxes, just of books. Most of those paperback. After Donna died, I flipped my life and decided that I needed to pare things down. Ballpark, I got rid of about 3,000 books over the next 7 years, before I moved out to the farm. Every month, 10% more stuff had to leave the house than came in. Half-Priced Books, Goodwill, and the dump. Every month.

So I went looking through the 300 or so books I still have left. More than half are reference/research. Non-fiction. Of those that remain, less than a dozen are fantasy. Donaldson’s Mordant’s Need. Russell’s Initiate Brother. Both duologies.

I do have the complete Eternal Champion by Moorcock, because I got those in fancy hardbacks with jackets in the early 90s when they came out. A little David Drake, but I’m not generally a fan of his fantasy stuff so I got rid of the Isles hardcovers.

No fantasy. That surprised the hell out of me.

Conversation with Fabulous Publisher Babe™ brought all together. In the act of spending those chapters at the front being unremarkable, you lose me. Bore me.

Once she showed me the Lester Dent Seven Point Plot Structure (see my Business For Breakfast book on the topic), I just immediately gravitated in that direction. That was early and I never looked back.

Character, in a Setting, with a Problem. That’s the first five hundred words of your story, by the way, short or epic novel series. And in those first five hundred you should have only a sentence of problem, but that can be enough foreshadowing. (Pulse Pounders tend to start with a bang and a problem, and all of chapter one is a high octane race until you slow down a little later.)

Luke Skywalker is the hero of Star Wars and the two sequels. (R2D2 is the protagonist, by the way.) When we first meet him, George Lucas SPECIFICALLY made him a whiny punk, to show how later he grows up and becomes a hero. Go back and listen to his first line of dialog, and note the delivery. Now compare that to him tossing aside his light saber aside and mocking Palpitine at the end of Jedi.

How do you handle your mundane opening? How much time do you spend wallowing in nothingness before an actual story comes along?

One thing that writers often do until they learn better is to “slow walk to the story.” That’s where the editor looks at your manuscript and says, “Okay, and on page five we finally got to the plot.” Back in the Anthology Workshop days, that was a frequent refrain, but it taught people to hit their openings. When I took the Strengths Workshop, that was Dean’s advice. The practice was to start a story and stop writing at exactly five hundred words. Nothing more.

You had to have your character, your setting, and your problem there.

The way Dean teaches it, you have to grab hold of your reader by the throat on page one, and drag her to the bottom of the lake, never giving her any opportunity to escape you and surface, because if she gets away, she might not come back. Every break gives them a chance. Any time you “kick someone out of the story” by getting something wrong or telling things out of order, they might escape and not finish your story.

In the case of that long, detailed, mundanity of an opening, I might not ever make it deep enough into your story to actually discover that you had a plot. Like Dean, I’m always looking for a reason not to finish a story, unless it hooks me. I have better things to do with my time that settle for pedestrian fiction.

Lucas had you in Star Wars, even with Luke being a mopey teen, because he hooked you on page one with one of the greatest openings of all time. Tell me you didn’t shiver with excitement as the camera pans down into the middle of a space battle coming right past you at point blank range, followed by the battle in the corridors, followed by bad ass in black armor with a light saber in his hands walking through the smoke.

I rarely ever follow the classically-delineated Hero’s Journey opening because I start the story at the moment when something interesting is about to happen. I have four hundred of those first five hundred words to show the character and the setting being as normal as its going to get before all hell breaks loose. After that, you might slip away.

The same goes at the end, when people seem to want to have a dozen epilogues showing how everything returned to normal and lived happily ever after. I only ever use an afterthought like that to advance the story past the “ending” of the thing. Jessica Keller ended <<<SPOILER ALERT>>>with her decision to negotiate instead of burning the whole galaxy down.<<<SPOILER ALERT>>>

From there, I resolved the stories of many of the interesting characters, so that you got their happy-for-now moment, but also setting things up for other things to occur And each of those did not show a return to normalcy. They gave you some important bit of information about “how” things were resolving. (Hint: it never returns to normal.)

So when you look at your intended story, how much time have you spent noodling around and not actually telling me anything useful at the opening? How long does it take for the adventure to begin? How many dwarf Bollywood numbers are necessary BEFORE the plot occurs?

And how much more interesting would your story be if things happened on page one?

I Can Never Fail

So Fabulous Publisher Babe™ and I have the Anti-Stodgy Campaign, where each month we consciously try to do something new. Something fresh. Something we’ve never done before.

I will be the first to admit that it doesn’t always work out, but the whole point is the newness, not the potential improvements to efficiency. She and I got to talking the other day and I made the comment that “I can never fail.”

I need to break that down for the folks playing along at home. I can fail, but it doesn’t matter. Just this afternoon I poured a half-gallon of hooch down the drain because it just didn’t work out. Coffee intended for turning into wine, but it really just ended up being all the bitterness of coffee with the astringency of alcohol. Nothing worth pursuing, because we drink for the taste and wouldn’t go after that taste.

But the rum worked out and I’ll make it again. The coffee mead is still brewing, and hopefully that works. Again, not worried.

I cannot fail because I am not trying to succeed. Or rather, I measure success in the “trying something new” not in the outcome.

Recently, I got contacted by a musician who picked up on my usual comment that I wanted to be Bernie Taupin. He needed a lyricist and asked if I was interested in becoming his Bernie.

Well, hell, that sounds like fun. Never written lyrics, but I have written a lot of poetry in my time, so I’m used to breathing the words and finding the rhythm of the thing. So we met for coffee and hit it off. He’s a fun guy.

I went home and finished one of my instant expert research books on the shelf, related to writing musical lyrics. (I have a weird library these days.) I read the lyrics section and skipped the composition part because I cannot write music. And skipped the business part because the book is twenty years old, and so everything is likely badly out of date. But writing lyrics and score does not change, except to get easier as the tools evolve.

I wanted to experiment with lyrics. So I did.

In the last week, I’ve written lyrics to three songs. I have no idea if they are any good. I’ll let Elton take a look in a few days and pronounce his opinion. I trust that he’ll have useful opinions that I can turn around and use to make my writing better, because he’s been doing this for decades.

The best job review I ever got was broken down into “Do more of this. Keep doing this. Do less of this.” It was fantastic because I could work with that. (When I started dating again, his sage advice was “Be less you.” and I understood that. Didn’t need it in the end, because I found a woman who was enough of herself to handle me, but that also worked. Haven’t worked for him in 14 years and we still talk occasionally.)

So my approach to writing lyrics is that I cannot fail. I mean, hell, what’s the worst thing that could happen? Someone likes them enough to record the song and I hear it on the radio? Gosh.

I cannot fail, because I tried something new. Anything new. That was the success.

You can’t fail, if you intend to do new things and become a newer/better you. So go out and try some new hobby.

Personally, I try to keep a list of twelve things that I want to pursue at any given time. Then, on a regular basis (frequently June 1 and Dec 1), I chuck one or two out so I can try new things. Lyric writing replaced something else. Okay. If it works out, we’ve do more. If not, I’ll mark it down as a REALLY useful learning experience and move on.

I tried something new. I succeeded. When you try something new, you succeed.

In fact, for me, the only way to fail would be to just keep doing the same thing for the rest of my life. Eat the same food. Listen to the same five albums. Wear the same clothes.

Yuck.

Stodgy. Don’t do that.

Try.

That is the single most important lesson anyone ever taught me.

Strive.

What new thing have you done lately?

Season Two: A Sneak Peek

So the first eight Science Officer books cover one complete arc of long story story, broken into a number of pieces. When I was done with Hammerfield, I needed a break, because I had told Javier’s story the way I wanted, but always knew that there was more out there. (I have extensive notes on more, so never fear.)

After 8, Javier’s world had changed some, as all of you are by now aware, so I needed to take a different look at things before starting what I called “Season Two.” The result was Book 9 (The Bryce Connection), which is a collection of four short stories introducing new characters, as well as letting some of the others get more screen time and development.

Then I wrote the first of Season Two: The Alien Suns. That is Book 10 (Alien Seas) and is the first novel in the series. From here, I plan on them all being novels. Self-contained so you don’t have to worry about cliff hangars, unless I split 16 & 17 when I get there, like I did 7 & 8.

So far, so good. Even threw in the first ‘Mina Teague novella, and everything is coming out on December 10.

However, I got contacted by Planet Bob, asking if I had any novels that could go into a Space Opera storybundle and offered him Alien Seas as an exclusive, several weeks before anyone could get it anywhere else. (In fact, the pre-order period ends on the same day as the bundle does, so everyone else will be able to read it by then.)

This is your chance to read Alien Seas before anyone else. It helps if you’ve read the first eight, but I think you’d be able to have fun with the story directly without. You’d just be missing a whole raft of inside jokes that will make old time fans giggle when they encounter them. And 9 sets things up by providing backstories for the new characters you’ll meet, but they are all there on the page.

And, because this is a Storybundle, you can get a whole bunch of other novels for one cheap price. Pay what you want for the first four novels, but if you put in at least $15 US, you’ll get all ten, including five exclusives, meaning not available anywhere else.

That’s me, Leah R Cutter, Dean Wesley Smith, Ron Collins, and Planet Bob himself. Nowhere else.

Treat yourself to an early turkey day treat, or maybe get them now and then save them for Xmas day. Or not. Normally, it’s worth holding off, but this is 2020, and you deserve something special that puts a smile on your face. God knows we all do.

So go look at this fantastic Space Opera storybundle and plunk down your money. You will be excited, entertained, and everything else that comes with really good science fiction space opera.

And hurry, because as always, this is a limited time offer.

OryCon 2020

I did a Con

OryCon has always been one of my favorites. For the last several years I have even been lucky enough to be on panels, talking about what it means to be a writer in the modern age.

OryCon is even moving into the present, however slowly and painfully. For the longest time, all of their writing track panels were aimed at how to get an agent and a book deal, in spite of the number of us making a living Indie. (Hell, the most recent rumblings from Industry Insiders suggest that traditional publishing, as it has been known, does not survive the pandemic, and that all the big houses will shake out and largely collapse into places where only the biggest names get book deals, but many of us are not surprised. Reach out direct if you have questions.)

This year, the con had to be online and way cut down. Instead of the old days where there was a filk room, a crafting room, a kids track, and maybe thirty rooms with panels going on at any given moment, that was reduced in the end to three channels. And all online.

So Friday, Fabulous Publisher Babe™ had her first panel at 1pm. It went well. She and I were on a second panel together at 2pm, with the ever-wonderful Josh Vogt, discussing “Creating Your Own Anthologies, Bundles, and Magazines.” It was the usual talk about vellum, BookBrush.com, and BundleRabbit, and how those allow the Babe and I to put out twelve anthologies a year (although we’re cutting that down some in 2022, depending on how things go). The world has changed, and you really can do it these days, and on the relatively cheap, as well.

After that, she was done until Sunday, but I had two more.

I went straight into “Can You Really Carry That?” with Guest of Honor A. Lee Martinez and podcaster Remy Lerner. That was a hoot, talking about armor in fantasy versus literature and role-playing games. How much is too much for encumbrance, and how the hell do you really loot that many gold coins from a dead dragon?

Finally (and we’re talking three hours in a row here) “Do I Really Need an Editor?” with EM Prazeman and Joyce Reynolds-Ward. I’ve known both ladies for many years, so we had a fun, wide-ranging talk about all aspects of the things that happen AFTER you have finished your manuscript. Why you should learn to write clean first drafts. What are the various kinds of editor you might hire. Why the editor you get recommended might not work out, which turned into a discussion of Voice, both the character and the writer.

I’m sorry that I didn’t get to do “Military Rank Structures and their Functionality” because I would have taken that shit entirely sideways. Anyone who has read my science fiction understands that I put a lot of time and research into military ranks, trying to make them completely original and more than just the exact same thing everyone else does based on how the US Army worked from 1990-2005.

At that, I had been “On” for three hours, sitting in Vintage Coffee in Maple Valley, WA. That’s the closest non-corporate spot, and I needed to use somebody else’s wifi for that many hours of heavy lifting. Even wore my mask for the first two, but after that the place emptied out and I was a little more confident without my mask on. Not entirely, because Washington State goes into mandatory lockdown tomorrow, but the numbers in my immediate zip codes haven’t been too bad. (I expect that to change.)

I went home and crashed: emotionally, mentally, physically. This introvert had had enough.

But for the whole Con being online, it went well. Each panel had a monitor who’s job was to kick out jackasses who couldn’t behave, and I only had one of those. Mar got rid of her quickly and the rest of the day went well.

The think I did miss was being able to just hang out with folks I only see as con buddies. At least these days I have social media, so I can stay in touch, but not everyone does that, so there are folks I only see at OryCon. Those are the ones I look forward to seeing. We used to do a massive group breakfast, in the old days, when we could reserve a table for a dozen folks, and then get twenty as people came and went over the course of a morning.

That’s how you build good friendships, sitting around and arguing politics and nerdiness with people you like and respect. Didn’t get that this year. Hoping that by this time next year, COVID has turned into a seasonal flu kind of thing, with a vaccine you can get that works and keeps most people from catching it.

The problem has always been that a spike fills the ICU beds at the hospital, and then anyone who comes along with ANYTHING is out of luck. So being at home and zooming in from a coffee shop is a price I find worth paying.

Hopefully the folks who attended the con had fun. I’ve already gotten a new Patreon patron from it, so that was wonderful.

With any luck, the world is coming back to something like normal, but that won’t be until February, based on the math of the current pandemic, so everyone be careful out there, because I need you supporting my lifestyle.

NaNoWriMo Check-in

I don’t do NaNo, which is the National Novel Writing Month. Everyone participating is aiming for a goal of writing a 50,000 word novel in November, which is a fantastic goal for most writers. In the old days, Traditional Publishing (aka New York City) only let you publish one novel per year. I know a number of folks from that world who have multiple pennames as a result. One for fantasy. One for science fiction. One for mystery. Etc. They wrote fast then, but the system wasn’t prepared to handle it.

But pulp writing goes back, obviously, to the pulp era. There used to be hundreds of different magazines, in every conceivable genre, needing new material every month. Writers working those periodicals would work all day, frequently finishing a story at 4:30pm and putting a new piece of paper into the typewriter and starting the next story.

In those days, you could make a living selling short fiction at a penny a word if you were lucky. These days, you’d need to put 4-6 short stories into print every month in order to maintain any sort of income, and there are far fewer professionally-paying markets these days to support you.

But you can write and publish Indie. Create your own company. Do your own covers and marketing copy. Publish your stories.

You are responsible for your own career. People I respect remind me of that on a regular basis.

For me, that means I can write fast, publish regularly, and make a pretty decent living. Without ever having to put on pants if I don’t want to.

A friend was teasing me the other day that I was spending too much time on social media because I was sharing some silly things designed to make people laugh. I had to remind him that I had finished October having written just over 1.2 million words for the year, which included eleven novels and forty-four stories of less-than-novel-length. (Anything under 40k, as it were.)

In those old days, you had strict rules you lived by if you wanted a tradpub career. Those days are gone.

In October, I finished the month with 125,610 words written. I plan on replicating that in November and December, because I’m not traveling anywhere for the holidays this year. (Obviously, right?) Instead of NaNoWriMo, I might write two shorter novels in November. Maybe 45k each. And some other things. Who knows.

I woke up this morning and started a novel, but only because I had finished two more Gunderson SF Crime stories in the last few days and my original goal had been fourteen novels this year and forty shorts. The weirdest part was that writer-brain wasn’t sure what we were writing.

It happens. Not writer-block but story-block. Usually I shift around until I find the thing that makes writer-brain happy and run with it. This morning, I walked slowly through the list of open series I had out there, but none of them were happy-making.

Finally, the answer was “tired of science fiction.” Weird, but okay, I can deal with that. Have some sword and sorcery fantasy. Have some urban fantasy. Have some other things. Stepped through those and writer-brain lit on the next Shrike The Orque novel. (No, I got no clue.)

Blueberry is a short chopped out of the novella Rebels. Wrote both in about 2014, give or take. When I switched to primarily writing SF, all that kind of went fallow. However, I did write a follow-on novel to Rebels in 2018. It cliff-hangared hard at the end, so I couldn’t just publish it without writing the rest of the story arc. Apparently, I have started today.

Barely remember how it ended, so I pulled up the doc and read the last four chapters this morning, just to remember where the hell I was. (That was 35 novels ago, give or take.) Then I picked up the thread and started moving forward. I remember the wider arc I was planning, and have noted, but those notes were maybe ten lines to span two full novels of stuff, most of which was book four and how the final quest ended.

So, technically, I started a novel this morning along with everyone else doing NaNo, however weird that is. Mostly timing, because once I hit pace I will finish this novel in about 12 days, with other things thrown in on the side for reasons. Not sure if I will just write both of them back to back, or insert something between, but apparently I am writing sword and sorcery fantasy right now to round out the year.

Weirder things have happened, ya know.

What are you folks working on for NaNo?

Something Sort Of Like Normal

I work from home. Have since March 2018. For me, the sudden “work from home” that everyone else fell into earlier this year wasn’t much of a hiccup. Instead, book sales tended to sag (if you weren’t in one of the subscription services, which saw a boost when people were suddenly worried about expenses). Hoping they will recover in Dec.

But for the last six months or so I have been navigating a new world where we weren’t ever going out to dinner, weren’t doing much shopping, and generally staying away from everyone. Didn’t help when Fabulous Publisher Babe(tm) got what we think was a mild case that knocked her down for a few days in April and gave her about a month of brain fog. Hard isolation at that point, but I never developed symptoms.

So what was the summer like? My favorite restaurant–Krain Cafe just north of Enumclaw, WA– went for a while to take-out only, so I would go down on Friday afternoon and get a pair of breakfasts I could heat up, partly to support them and partly to get me out. My regular D&D gaming went away, but I found a different online/zoom group to play with, remote only for a while, although we have met in person a few times.

Mostly, for me, it was never going into town. I have the farm based on studies I did in the late 80s and early 90s talking about the possible fall of the american republic in 2020. (Yes, that long ago the trend lines of what was possibly coming were apparent, if you studied certain things.) I am away from everyone, remote, and generally quiet. 6+ acres, more than half trees and ponds. Fruit to harvest in the summer/fall. Herbs for the garden to cook with. Not survivalist mode, but we went into 2020 prepared for storms that would knock out power and trap us for a week at a time. Coffin freezer with half a pig and other things frozen. Etc. (Seattle, by the way, might have made the news this summer. She would have been able to smell the tear gas clouds from her old house up on Capital Hill downtown. Possibly breathe them.)

But I used to write all morning and then head into town in the early afternoon to run errands. That went away.

Today, I actually got another little bit of normalcy back. Had to run down to drop off ballots at the drop box. (Not trusting the Postal Service as long as those jackasses run it, regardless of what the rank and file can do to mitigate stupidity.) Went by and dropped off recycling as well. (I burn anything paper, compost anything organic, recycle anything we can, and end up going to the dump about every 4-6 weeks for four cans of trash.)

Decided to hit the pawn shop at the east end of Enumclaw while I was down there. They bought out a couple of video stores at some point, and have something like two shipping containers of dvds and blueray to get rid of. Most of it is weird schlock, as one might expect, but I keep a spreadsheet of my video library and a short list of things I’m looking for to fill in gaps. Like having the Fraser Mummy movies 2 & 3 but not 1. Found that today. Got a couple of other oddities, like a double feature of 2001 and Clockwork Orange. Haven’t seen the former in ages and not sure I’ve ever seen the latter, although I have read the English edition (with the extra chapter the American version chopped off the end.)

I have a Synology NAS on an airgapped local network. 4@6Tb drives in a RAID 5, or a metric shit-ton of space, so I have ripped every dvd I still own (after a massive purge I occasionally regret) and then go back to fill it in and buy/rip new disks. We don’t have cable. I hardly ever watch entertainment on the screen (tv shows, sports, etc.). But I do watch movies occasionally, and I have a low trust of the big streaming services. The things you want to watch will vanish one day, because there will peak out at around 20 such services, and everyone will hoard their IP rather than making it generally available.

I can watch whatever I find and own. Better this way. Fabulous Publisher Babe(tm) isn’t sure what caper she’s going to write one of these days, but her writer-brain has her rewatching all of Leverage, since it is now ripped and she can just pull a few episodes at a time to watch while doing other things. I need to get back into the habit, but there are few tv shows I want to watch. Might buy all of Star Trek TOS and TAS just so I can rip those and work back through them, but that might take me years.

I don’t binge, because in the summer my afternoons are working on the farm. Winter I’m a little more stuck inside, especially this coming one where I expect infection spikes because every time I go out I see idiots who don’t cover their nose. Sometimes, they don’t even mask, but a lot of places have gotten stricter now that the state has started cracking down and issuing fines to businesses.

But, you know, idiots.

So old stuff, mostly to put information in the backbrain. I wrote a book one in a new epic space opera series where the bridge of the massive starship is absolutely taken from the floor plans to Space: 1999, because it was completely different from any other SF I can remember, where they are always either WW2 submarines or TOS/TNG for design. Both work, but that means everyone else looks alike. Sounds alike. Is alike.

Yuck.

So today I got to have an almost normal afternoon. Shopped with my drapery mask on (that’s what the cloth was from in my pile when I needed to sew something that fit me comfortably). Squirted the hand sanitizer as I paid. Brought home three new cases with all manner of weird.

Getting into a new normal, if the old one is forever gone.

What are you doing to build a future instead of lamenting a past?