Blaze Ward Presents

Seriously. Or rather, not so serious, as it were. When you open an anthology call with a one sentence theme, and challenge people to out-weird each other, the results can be strange. And a lot of fun.

As of October 1, I have put out the open call for Issue #4: “Cloak and Dagger”

However you choose to interpret that, mind you. An Interpretation of Moles should have cured you of expecting stories on rails. We don’t do that here.

  1. An Interpretation of Moles
  2. I Like My Science…MAD
  3. Nuns With Guns

Stories are due in my hands by the end of October 31. We’ll publish it on Dec 1, if all goes well, so there is no slack in the schedule. I expect professional to participate, and I judge professionalism entirely on the ability to respond to email promptly and with the information I need or questions.

I get tired of the [Level Monster Issue]

That’s where someone gets an email needing information, or a response, but cannot bring themselves to push the button and say something. Seriously, there are not many things in this world that I find more annoying than that. When it comes time to publish, everyone had to hit deadlines less than a week apart. I can’t hold an anthology like this. (I can, but choose not to, because either you are a pro, or you are junior varsity. I know some big name authors who let act like pissy dilettantes on deadlines. I won’t work with again.)

Since I announce the BWP Anthologies generally on Facebook for now, I figured I might let people know about it here, in the wider arc of my voice. Or a different audience. Whatever.

If you have questions about submitting, ping me. As with the previous ones, we’re going to have fun. No reason you shouldn’t join us.

šŸ™‚

Fire, Chaos, and Rebirth

On top of everything else in 2020, I had to rebuild the barn roof. Took the opportunity to clean out the middle bay of the barn itself. That’s the one with a lot of personal stuff, but some things have gone a little wrong.

My Mom lived with me for a few years, back when I was still in Renton and in the process of building out on the farm. When she moved back to St. Louis, she took what she could fit in her car and left me with the rest. It went into the barn until I had the spoons to deal with it.

Moving out here after Donna died meant dealing with a lot of personal stuff. More spoons. She was an artist, so I have some of her drawings, but have been slowly cycling most of them off to the step-daughters to handle for the various grands and eventual great-grands.

This was also the summer we had the wood house restained, inside and out, so I had to take everything down and move it out. Then I got to put it back, but Fabulous Publisher Babeā„¢ and I decided that it didn’t have to go ā€œright backā€ to what it had been. So we kinda moved into the house again, almost from scratch. Changed things around.

New art on the walls, with a bunch of old art that either went to the daughters (if Donna’s) or hauled off to Value Village to recycle. Books gone away as we moved shelves around.

Then I had to go through the barn stuff, all of which had been there at least six years. My Mother did not pack her boxes particularly well, so they got damp, which meant mildew. It also meant mice climbing in and chewing things. Old books of no particular value, and yucky, so I burned them. Salvaged what I could, but not everything could be saved. Nature of the beast.

Fire is the best way to cleanse some of those things.

As I opened old boxes, I also found a few containing stuff I had either forgotten about, or had been looking for and unable to find because they were back and underneath.

I used to be a prolific letter writer. Found letters from friends dating back to the early and mid 80s. Some of those people I haven’t seen in 30-35 years. Maybe ā€œnever heard from them againā€ after I went off to LA for grad school and didn’t take hardly any connections with me.

You could to that in those days. Just move and eventually the address forwarding expired, so letters were returned undeliverable. Phone numbers used to be geographical, so you had to get a new one when you moved and maybe it was unlisted.

Who knows who might have tried to reach me after 1990 and failed? Other letters from folks I did talk to in the 90s, when I was in California, or later when I left and went back to Kansas, before ending up in Seattle in 1997.

But I had saved a lot of correspondence from old girlfriends. None of it less than 25 years old. Most of them I couldn’t locate today if my life depended on it. There are a number of ā€œAnd I never saw her again after 1997ā€ in my past.

Those went into the fire.

I don’t have children of my own. I inherited grown step-daughters who are five months to five years younger than me, but they have lives and I’m only kind of tangential to them. They are at least all still friends, twelve years after their mother died. I count that as a win.

So I burned things.

It it liberating, putting things to the torch. All that stuff holds you down, a feather at a time. You don’t appreciate how much it weighs until one day you cast it into the purifying fires and call it done.

ā€œHey, whatever happened to him?ā€ questions can go unanswered, because only a few strangers from that distant past know how to find me today. And we’re all probably better off not knowing, because then you lose the mystique.

Fire is an agency of chaos, reducing the order of words on paper to flames. That which was because unknown, lost forever. It does not bring me guilt, because I made peace with myself a long time ago, and all I can do for some people is silently apologize and not bother them.

I eventually chose to be happy, but those old letters shined a light on the guy I was 25 or 35 years ago.

But they are not who I am, nor who I choose to be.

They are merely images on a wall.

Pictures of who I used to be.

Faces.

Gentrification and boba

I live in a highly redneck section of King County, Washington. Most people think of this as the Left Coast and Starbucks sipping hippies (not entirely untrue) but if you go by zipcodes, I’m pretty sure this area went red by a significant margin in 2016. I knew that when I bought the property to move out here from where I used to be in the white, middle-class, red districts of Fairwood (a neighborhood of Renton, WA) in 2010.

Part of my reasoning then (and going back as far as 1988 if you want) was that 2020 was going to be a terrible inflection point in US history, for reasons I have discussed in other places and won’t rehash here. Didn’t want to be in ā€œThe Cityā€ when what I saw coming caught fire.

I got lucky and found this particular property in 2010. The previous owner had died at the end of 2006, and his various kids had been trying to sell it, but there were ā€œissues.ā€ It had even gone so far as serious negotiations from another person, but he got chased off by the neighbors, in a polite way. Another Microsoft millionaire type, set to move out here and ā€œchange everything.ā€

The land is 6.5 acres, at the end of a cul-de-sac. I have a neighbor, E, above me, who originally bought most of his section of land in 1963 and then sold it off in chunks over the decades, especially when she and her husband divorced and he left. I remember E explaining to me one day, early on, that one of these days the Feds would be coming for her and it would be Ruby Ridge all over again. The others in the conversation just nodded and agreed, so you have a pretty good idea who my neighbors on three sides are.

Fourth side are 60s hippies that mostly grew old but are still a little weird. I got lucky when I was getting serious about buying by randomly starting at the Hippie household to meet the prospective neighbors. R & C told me about the guy just south of me who scares everyone, and what to say to him.

Mind you, when I got to the top of his driveway, he was already standing in his front door, pot belly all shirtless and deployed, and I’m assuming a shotgun out of sight. He’s like that.

ā€œYou G?ā€ I yell from my truck.

ā€œWho wants to know?ā€ he yells back.

ā€œR & C told me I should come up here and say hello,ā€ I answer. ā€œLooking to buy M’s old place.ā€

M had put down a foundation and covered it, planning to put a modular home on it back in 1991. But then he found out that the school board would charge him a building levy for that, and he threw a screaming, hissing fit (as I got the story 20 years later). Ended up living for the next 16 years out of a 26’ gooseneck horse trailer, with a 55 gallon drum set in the ground for a septic tank. Really serious, gold-fringe-on-the-flag sort of fellow, if you get my drift.

There are a lot of those folks around here. But you know what I’ve seen in the last ten years?

Gentrification. The Safeway in Maple Valley (town wjhen I go west) started carrying exotic cheeses. When they built a Fred Meyers (kind of like a SuperWalmart with regular stuff AND groceries) it had a huge cheese booth. Wrapped on three sides of about ten feet each, displaying maybe a hundred weird cheeses. That’s my barometer of hipster around here, as you can tell.

Then two plots right around there got developed and a bunch of McMansions got built in the stretch 2010-2016. More recently, a couple of new apartment developments have gone in.

The world in town is changing. I’m still out in the weird, red zones, past a wilderness that can’t be developed because Kent, WA and Seattle, WA bought both sides of the road for several miles and fenced them in. I’m in a pocket that is still trapped in the 1950s in many ways.

But the gentrification progresses.

With the pandemic, nobody can really go out to eat. For a long stretch, all the restaurants were take out only. And we did, supporting our favorites. More recently, they can open, but at half capacity. Enumclaw, WA, the city I usually go to, closed off several side streets and put up pavilion tents and rented tables and chairs, turning those streets into sidewalk cafe seating so that the restaurants on Cole and other streets could serve the same number of folks as before. Hopefully, they’ll live. Some good ones I enjoy.

But it has been ā€˜food trucks’ that was not on my pandemic bingo card. Usually, they do the fair circuit in the summer, but all those are shut down, so neighborhoods have organized to have trucks rotate through. (I have found some fun new eats that way, and we’ve kept them in business.)

So this last week, Ravensdale, WA had their usual Wednesday Truck event. New burger truck I haven’t had before (pretty good, too). But next to them was a truck doing bubble teas, smoothies, and other exotic drinks.

Exotic to the locals, that is. Normal international fare when my wife lived on Capital Hill in downtown Seattle and we could walk all sorts of places.

I got boba with my burger. Brown sugar, milk, ice, boba. Stir. A hint bland, but that was because they didn’t have any good fruit syrups to add.

But this is gold-fringe, You-Can’t-Make-Me-Wear-A-Mask, crazy hard right wing country. And the bubble tea truck did pretty good business. Not as good as good, old-fashioned American Cheese burgers, even with that weird Waygu meat. But there was a bubble tea truck penetrating the consciousness of this zip code.

Makes me all warm and fuzzy to think about, because it means that the folks moving out here are not white, blue-collar, right-wing voters. The city might develop services. Places. Things.

Enumclaw has a downtown. That’s why I go there. Maple Valley is closer, but it is Generica Suburbia on the highway, and not really a place. Some good restaurants. The library. A trail that has been converted from an old railroad bed.

Nothing like a downtown where you could walk around on a Sunday afternoon. Strip malls and fast food make up most of the city. I dream of that changing, as well, but I’m not holding my breath. Maybe another decade.

But this week I had a moment of hope, in a year of suck. Boba, from a food truck, in Ravensdale, Washington.

Will wonders never cease?

Hard Reset

August has kind of sucked. Not terrible, but just a drag on all aspects. First we got the house restained inside and out at the end of July, which was lovely, but required me to tear the house apart so the guy could get to all the walls and ceiling. Still not back to normal. Not sure when I will be.

He finished up on a Tuesday having spent most of a week. That Wednesday I started tearing part of the roof off the barn to replace where it had rotted. Hotter than usual, so we worked first thing in the morning until it got hot. Got some writing done in the afternoon/evening, but I was usually just exhausted so I maybe would get a thousand words or so. Took Saturday and Sunday off, but those were both just recovery days because I had no spoons left, after tearing out the old deck, replacing several ribs and the full run of horizontals, and then re-decking.

Monday/Tuesday were spent reshingling the new roof, with Tuesday being the first rain in a month while we’re on the roof working. Wednesday was a recovery day. Thursday we drove to Portland from Seattle and helped my cousin move stuff out of the new house and into a storage unit, after she had messed up her back. We drove back Thursday after a late lunch. Friday and Saturday I was social.

This last Sunday I had a pajamas day. Those are the days I don’t put on anything except my pjs and don’t leave the house. Managed 7500 words to finish off a novel. That was good. Had some bad things happen in the afternoon, and I just kind of all just boiled over.

Monday, I got up intent on writing a new short story in one of my existing universes, and needed to edit the previous story in it. Got the editing done and had no words. None. Not even a glimmer.

Took the rest of the day sideways. Went for a long drive with the music up and the phone set to airplane mode so nobody would text me and use up my last spoon or get on my last nerve.

Did work out an entire new universe I want to write in and planned some stories. The next three issues of Boundary Shock Quarterly that I’m working into (14-16) were Space Marines, Cargo Wars, and Wandering Monsters. Writer brain looked at those and framed a setting, an arc, and I came up with a character to put into all of them sequentially. (Later, it laid out for me a multi-novel space marine arc to write. Go me?)

Tuesday I actually wrote. 4000 words for the first time in more than two weeks. Today (Wednesday) I wrote 5000 to finish that story off. Tomorrow, I plan to start the next one. Friday I am social again, so might not get many words done in the morning and will circle back in the afternoon. Same with Sunday.

For a guy that thrives on averaging 4000 words per day over incredibly long stretches, I am more than 13,000 words off my accustomed pace. Until this today, I wasn’t sure I would hit my usual 100,000 words for the month. Just above 90k right now, after generating 16,500 just since Sunday morning.

Last year, I had a stretch about the same time, but for different reasons. This year I am just emotionally exhausted, and that’s taken a physical toll. Some of you have seen my other blog posts to see how far out of true I’ve gotten. Hip and lower back are hurting today. Again, physical response to emotional.

I can say definitively that I have made changes. Will continue to make them. Have cauterized a number of people out of my existence this summer who were too negative or offensive. Done dealing with that. And those people. Forever.

Have had too many drama queens who thought that I gave a shit because I hadn’t just jumped in with both feet to just destroy them. Have come close with a few of them, just because I’d be doing the world a favor to shatter a couple of those people into jagged, little bits of pain that I didn’t have to ever deal with again.

Might, yet. Folks have forgotten to be nice to one another, and I’m largely tired of their drama. The difference in 2020 is that I’ll just write you off and never talk to you again.

Keep that in mind when you are an asshole to people who didn’t deserve it. Like me.

Oh, and keep that shit away from me because I won’t lose any sleep if I destroy your entire psyche, one of these days. Doing the universe a favor.

The Living Room Test

I’m tired. Fortunately, I took an entire day to sleep and recover before I wrote this blog post, so you can just imagine what it would have sounded like yesterday.

Today, we’re going to talk about the Living Room Test. This is the era of social media. It might change later, but right now a great many people exist in a virtual convention center where they can run into various people and talk to them from the safe confines of distance.

You get the facade of being personal, without actually being close enough to someone for them to turn and punch you in the face for mouthing off.

I myself have a great many friends whom I have never met IRL, but know tremendous details about them, their career, and even their lives, because of what they have shared in the interwebs. However, if I have never met someone in person, I always have a thread of restraint about what I say when interacting with them.

Before you say it on the social medias, ask yourself: ā€œWould you say it in their living room?ā€

This is a variant of the old, ā€œIs it nice?ā€ question. Would you come to my house as part of a cocktail party and say such things, expecting me to do nothing about it? If you were raised with any manners whatsoever, chances are you wouldn’t say those sorts of things to me or anyone else.

Other folks might throw you out of a party for saying those things to their face. I’m more likely to drag your unconscious body out to the curb and dump it there after punching you. Repeatedly. In the face. Until my point has been made. And you might require a significant amount of convincing.

I’ve used curbstomp as a verb this week.

I’m tired of people lacking the basic humanity and decency to remain polite to relative strangers on the internet. I can probably name all my my social media friends who have ever actually been in my living room, but I don’t entertain all that often, and usually only friends who are first and second circle.

I don’t come into your living room and talk shit. Or take a shit on the carpet. You should probably consider that same decency when you go to visit folks you only sort of know.

The Social Medias give you a false sense of security because I can’t punch you. It’s like when you are so drunk that you feel bulletproof.

So I’m tired. I have run out of fucks to give. People are no longer going to get any warning.

Up until now, I’ve mostly just unfollowed folks when I felt like they had maybe a radically different political view from me, but were IRL friends going back a ways. I will accept friend requests from strangers who meet a fairly stringent test of me going through their timeline and seeing what they share. How old is the account? What pictures are there? Do things pass a sniff test (has the account been abandoned and then hacked, like the 60-year-old male Thai banker named Jennifer?)?

If you can’t even behave that little bit, I’m just going to unfriend you and block you. There will be no warning. No confrontation. Nothing.

I’m just tired of you being an asshole on the internet and I don’t have to put up with it from anyone.

If you are IRL friend, I’ll even snooze you 30 days first once, but after that, I’ll unfollow the people I expect to see next year (and I’ve done that this week) and unfriend/block the rest of you.

If you can’t say something nice, shut the fuck up. Simple as that.

Wil Wheaton’s Rule: ā€œDon’t be a dick.ā€

You aren’t funny. Nobody else might be willing to tell you that, but when I chuck your ass out the airlock, understand what I’m telling you.

I don’t care if you later turn over a new leaf, sober up, and become a nicer person. I’m done with you. Because you should have been an adult in the first place and that was too much.

So you can fuck off. I value my other friends more than your opinion of yourself, and I don’t want them judging me just because you have no manners and snuck in the door when nobody was checking credentials.

And with that, I will bid you good day.

Does an Interstellar Species go extinct?

Those of you who have been reading the Star Tribes series have seen Daniel’s ruminations on the topic. Assuming a reliable, fast FTL technology that allows regular travel and commerce between different stars, would a species that start colonizing ever die out? Hard question to answer. On Earth, rats have been introduced everywhere that humans have landed, with the result of them overwhelming the local ecosystem in many places. Rabbits, cats, and dogs fall into the same category, to the extent that it generally requires a massive effort to remove them later, doubly so if you don’t want to destroy the rest of the ecosystem that was already in place.

So let’s look at the stars themselves. Multi-star travel presumes that we have a pretty big system going in. Even if we never encounter intelligent, tool-using, alien life (one of the Alexandria Station universe’s assumptions), we will still expand.

In the Concordency Wars (10,389 – 10,397 CE), large fleets of robotic warships went and pummels inhabited worlds from space, while also destroying every starship they could locate. They didn’t get everyone, but did sufficient economic damage that everyone basically collapsed to Iron Age or earlier in a single generation. From there, most worlds fell into darkness as disease and poverty combined to overwhelm thing.

Think about it. How much of what you consume (food, media, medicine, etc.) could you produce yourself, if the factories were blown up suddenly tomorrow? Sure, you’d have some level of ability to loot the corpse of society for spare parts, at least for a time, but eventually, you have to make it yourself.

How many of you can make aspirin? Penicillin? Etc.? Not many. Sowe can presume that pretty quickly people would starve. Most people. The remainder would move to a life of hunting, fishing, and farming, but even that fails. I have a pair of bows and enough arrows to last for a while, plus PAPER books on how to make more. Bullets would run out in years. Maybe decades, but people gotta eat. Big machines to plow and harvest need fuel and parts. And those are turning into robots. What happens when GPS dies?

So you see, this one world could fall apart and suffer a huge population crash pretty quickly. Places closer to primitive lifestyles would actually do better at maintaining themselves over the long haul.

Let’s look at galactic society now. I would presume a lot of colonies from a motherworld, without factories to produce advanced things, requiring them to import things expensively from across space. Anyone who has read history understands how that comes about.

We’ve seen the rise and fall of both Bronze Age and Iron Age Hellenic Greece (Homer and Socrates, if you will). The Rise and Fall of the Roman Republic, Empire, and Byzantine Empire. The Rise and Fall of the Arab nations to dominance. France. The United Kingdom.

Right now, we are living through the Fall of the United States from Empire. It will be just as ugly as the fall of Rome was, unless we merely fragment into something like the Three Kingdoms or the Spring and Autumn Period.

Still, history is happening.

So, let’s go to space, and envision the collapse of our stellar empire. At best, I always presume that a multi-stellar system will at minimum be a republic, probably an oligarchy, likely an empire as Romans or Chinese did those things. Static, for the most part, with regional governors granted exceptional powers to control things, as long as they pay their taxes inward and get replaced regularly.

So a civil war hits. Or maybe a pandemic. (You think you’ll control a disease if enough people can move around? Good luck.) In a civil war, you pick sides and fight. There might be a behind the lines, if your technology is based on star gates of some sort. Otherwise, anyone might could sail anywhere, so it becomes a matter of logistics.

You cannot conquer a planet. You can control the government of it and control orbital space, but even a million soldiers could not keep three billion people under control if they got rowdy. So you isolate a place. Maybe killer satellites in orbit. Something. Same goes for plague. Keep everyone isolated.

But can a species with star drives actually die out? Or is that measured over hundreds of thousands of years? Maybe they speciate? Homo Sapiens turns into Homo Stellaris? But you haven’t died out, you’ve just changed.

The Ovanii are not dead, but they were a single tribe of roughly 20 million people, all mobile in a single vast fleet of ships moving in caravan. They were broken by the Anndaing and interred on a single rock, when they refused to assimilate into Anndaing culture. So they fell from the stars and became barbarians. From there, they might eventually die out, although they had not by the time Daniel causes Rence and crew to look.

In the Brannon stories I am currently sending out to my Patreon folk, she has encountered a technological goddess who has lived inside this mountain for 30,000 years, and seen the planet become abandoned TWICE. (The first story is entitled ā€œPreviously Inhabitedā€ to give you a clue.)

We talk about the first surge of exploration in our science fiction. Going out there and seeing what there is. Boldly going, as it were. But I have always been fascinated by the second rise. Or the fifth.

What happens when you go places and find humans who are just your long-lost cousins, going back to a time when these two worlds were part of a star empire of some sort? Or better, when you encounter some elder species who knew humans in the old days and welcomes you back?

How big is your science fiction? Does it have space for things to be lost in ancient times and found again?

Where will you go?

More summer weirdness

So I’ll go into greater detail in the newsletter coming tomorrow, but I had a summer cold last week. (Just a cold, with a lot of panic.) Lost two days of brainless sitting on the couch. Way behind on word count and not really feeling the need to make it up because eventually I have to break my streaks, so I might as well let it happen now and be done with it.

But this week I have a fantastic guy out restaining the interior and exterior of the house. So the place is torn apart and everything covered with plastic. Sleeping over with Fabulous Publisher Babe(tm) for now. Gotta stay around the house, in case the painter guy needs anything, so I’ve basically just written on the back porch for three days.

Had to put the Lazarus novel aside, because it is in a bright and exciting phase of the arc and I’m so not there. Partly, summer. Partly, overt fascism as certain elements of society decide that they would rather burn it all down than be arrested for their crimes. (And they are crimes. I hope that people get extradited to The Hague to stand trial for war crimes when this is all done. That’s the scale of evil we’re facing.)

But I’m a writer, so I write. That meant two new Gunderson stories in the last three days (SF Private Detective set in 1955) because those are dark, plus a quick short on one of my other projects. Last night, was sitting down counting and realized that I had written 20,000 words in those three days.

My normal pace lately had been 4,000/day. I was running 7,000 this week. Shit.

Instead of being completely off pace from being sick, I had actually managed to catch up, to the point that I think I needed to write 4300 words today to zero my counter out.

At this moment, I’m not sure if I will, or if I will consciously push back and goof off instead. Last December, I wrote a novella because I had written all the novels I was going for in 2019. Just cut the story down enough that it came in at 18,000 when I could have EASILY pushed it to 40,000.

And at the very end of the year, I was at 1,394,500 words. Over that last week I could have pushed and hit 1.4M. Really didn’t want to. Might just hit it this year, if I stay on pace. Dunno. Not today’s problem.

Streaks are good, but I don’t live or die by them. As I have explained to many people, the only person I am competing with is Death. She’ll come for me long before I run out of stories to tell and things to say, but if I write more, I can get more done.

The goal at the beginning of the year was 14 novels and 40 short stories.

Then 2020 happened.

I have 6.8 novels complete right now (Lazarus 5 is 40,000 of about 55,000 when I stopped). I have also written 31 short stories. Through July. Fortunately, if I combine some of those shorts into a single volume as a “novel-sized collection” then I have three more novels done so far this year.

But it has been a 2020. I’m fine with not hitting my original goals. I have had to put aside several projects because my mind was not in the right place for them. Gunderson was there for me instead, when I wanted/needed to tell gritty, dark, hard-boiled private detective stuff. And of course it is science fiction, because that’s what I do, so you have Godzilla, aliens, Cthulhu, spandex, and Medusa as themes/styles. Because I can.

But they are dark. Hard-boiled falls on a spectrum, with Cozy mystery at one end and horror/noir at the other, depending on how much blood and violence you have, plus how corrupt everyone else around the PI is. Gunderson lets me dive into some of those dark corners and tell stories that are likely to make some of you uncomfortable.

I’ll get back to Lazarus soon. 1-4 are at first readers right now and coming out Jan+. I have time to write the rest of 5 and then cap it off with 6.

But first, I really needed some darkness to match my summer and my soul.

Ugly Summers

I’ve had a cold for the last several days. (Only a cold. Been paying attention to symptoms.) Haven’t gotten hardly any writing done, because there just wasn’t brain there. Decided that July was going to be a month I broke my daily average streak, just so that I didn’t have it lingering over me. Still going to make 100,000 this month, but not 120,000. That’s okay. Spent Thu/Fri looking at coming books and art books, just kinda refilling the brain with creative juices.

Another thing I’ve found is that the crap going on out there is finally starting to get me down. Angry, as opposed to depressed, but I had a chat with Fabulous Publisher Babe(tm) this morning that I might have to put the current novel aside for a bit and write other things. I’m deep into the fifth Lazarus, and getting ready to wrap this one up and head into #6, which will culminate the series.

Except that these tend to be brighter and cheerier than I feel right now. One man fighting against a corrupt system, but he’s to a point where you’re starting to see the momentum swing his way.

I don’t see that when I watch the news. I see echoes of Augusto Pinochet and his thugs taking to the streets with truncheons and tear gas. I saw a picture of a water-cannon bulldozer heading north to either hit Portland or Seattle shortly. I see a small fragment of this country that are calling for troops to just start shooting protesters in the streets. (Finally lost one of my oldest friends over this. That was his solution. I can’t help you if you have decided to actively worship evil.)

On the other hand, I have a couple of short story series I’ve been working on that do fit my mood. Dark. Ugly. Not horror, but bad. Hard-boiled Private Detective stuff, set in the mid-1950s where all the science fiction you see in the movies was real, and he has to deal with it. Just finished one with Cthulhu overtones. Got more in mind.

I can’t really write about heroes overcoming the obstacles until the world changes. 2020 was always going to be an ugly place. Anyone who knows me has heard me talking about it since the late 1980s, after studying Kondratiev and Long Cycles. Mix that in with the Boomer generation starting to die off, after dominating US culture for fifty years. They don’t want to surrender power, and many appear to be willing to burn the whole damned country down rather than admit that they are done.

So I’m writing dark stuff right now.

This blog post is for the rest of you. I understand why I’m having issues and how to solve it, but y’all need to realize that you can do the same. If you are not happy, you can’t write happy. If you are angry, maybe you need to put everything to the side for now and paint. Or knit. Or write horror. (Those of you who write horror maybe need to write something bright and cheery as a mental break.)

This whole nasty year will not be getting better for a while. Possibly for a long time, depending. People talk about civil wars, and we’re closer now than we’ve been in nearly a century.

Take care of yourself. And drink a lot of water. You’ve still got things left to say.

You are responsible for your own career…

Or, nobody else has any better idea what will work than you do, so listen to what they say, absorb it, and then do what you think it right. After all, the only limits are MY imagination? Y’all are DOOMED!!! Just thought I would share that thought with everyone, as I move into the fall, at least mentally.

Twice a year right now, we have been doing Blaze Ward Presents, a type of open call anthology where everything is royalty share, I don’t ask for right other than publication, and we leave them up forever to earn a few nickels for everyone. None of them are going to make us rich, but I continue to do it for two major reasons.

First, I’m having fun. Simple as that. I know of a handful of folks where that issue was their first ever publication that actually paid them anything. And I have met a number of folks that I didn’t know, because the call got shared wide enough that they found me and submitted.

That takes us to the second reason we do this, which is for the marketing element. You’ve heard me talk about how for Indie Writers the biggest problem is discoverability. We don’t have New York publishers buying ads in various magazines or newspapers to show us off to potential readers. What we have is the hustle.

When I do something like Nuns With Guns, I have a pool of nearly twenty people who are going to tell all their friends about it, and some of those folks will buy the issue. From there, my hope is that they will start reading everyone else and discover me and the gang. If they like me, I have an entire catalog of books they can buy, and I am a good enough writer to hold my own, if your tastes align with mine.

So we do these, and we have fun and get silly. For the first three issues:

An Interpretation of Moles

I Like My Science…Mad!

Nuns With Guns

I gave everyone a month. Seriously. Mad Science was announced October 1, 2019. Submissions closed November 1. I published it December 1. I’m used to folks from the Oregon Writers Network, for whom having a whole month to write a story is slacking. They’ve had to write six short stories, one per week, as part of the old anthology workshops. Dean would send the theme Monday at 0000 and you had to send in the story Sunday by midnight. Six weeks in a row.

So they can write me great stuff with a month. Plus, you don’t have time to revise it fourteen times and rip out all the emotion when you’re running that hard to complete it. That means I tend to get stories with more raw emotion. I can fix spelling errors and grammatical fuckups. I want power.

But for the next issue (Fall 2020), I wanted to get a little weird. Weirder, maybe.

So I reached out to several musicians and artists and asked if they wanted to play. I still won’t tell all the writers until much later, but music and visual arts require a longer lead time if I want quality.

Yesterday, I got my first submission of music, a guitar rip that felt like a revolution happening in my ears. It was lovely. And the guy is also a writer, so he’s going to write me a story that goes with it. Double win.

The goal is that we’ll put his sheet music in the anthology, along with a link to where they can listen and buy. Because I want a multi-sensory experience, and so do you.

So if any of you are musicians and interested in writing me some music, reach out for more details. If you do visual arts and want to do me 6-10 pictures (pencil sketch up to whatever, but they’ll go into a B/W book, so plan accordingly), I can also line you up for a share, and I don’t want exclusivity on music or art.

I want to expose you to all my fans. I want you to bring all your fans over and have them read me and my friends and discover lots of other folks

The future began yesterday. What are you doing to keep up?

Setting

Setting

Putting on my editor hat today, because something that I take for granted turned out to be a lesson folks occasionally forget.

I was talking to Fabulous Publisher Babeā„¢ last night about one of the projects I am currently editing. (Hint: I always have SOMETHING in process these days, with various timelines across Boundary Shock Quarterly, Blaze Ward Presents, side projects for friends, or larger one-off things.)

I had gotten about halfway through a story and found myself bored. That’s NEVER a good sign in your editor. Means you messed up somewhere.

I described the story as mechanical. That’s as opposed to emotional, so let me break it down into clearer details.

In this case, we had a really interesting idea for a story. Truly out there, which are the best kind of things, because that means that the writer wasn’t going for low hanging fruit. Wasn’t playing it safe.

At the same time, they were just giving me thesaurus lists of adjectives and adverbs as descriptive details. Dry. Mechanical.

Boring.

Setting is more than just a description of the scene as you enter the room. To be effective, it has to have emotion behind it. Feeling. Setting is the character’s opinion of what they see, rather than just the catalog.

You don’t tell me that the walls were a yellow. Tell me that they were the color of that mustard that grandma used on sandwiches she made for you when you were a kid. The kind you always looked forward to and missed now because it wasn’t the same with someone else making them.

The barn isn’t red. It is a scarlet troll, perched on the hill over a valley full of cattle like a shepherd tending his flock, poised to charge out against a wolf.

Gimme emotions. Gimme impressions. Show me a side of the character watching the scene, rather than just dig out the big words to describe it. I want to know about the person experiencing the impressions as well.

For a lot of newer writers, they don’t hear that lesson often enough. They think that having more adjectives automatically makes it a better story, but that only works to a certain extent. Eventually, I need to know what you think of the thing you see.

The bottle of apple juice from the fridge isn’t refreshing, it is the nectar of the gods, pressed and distilled down to recharge your soul for the coming afternoon of battle with the hay bales. It is a sweet sip of pure electricity, bringing you back from the dead after a morning of Sisyphusian toils. (The yardwork is never done, you just drive the monsters back for a time, until you have to do it all over again.)

The grass isn’t green, it is a field of emerald soldiers creeping stealthfully forward to reclaim the garden and plant a flag of conquest among the spinach.

Again, this is me with my editor hat on. I don’t always write like that, but that’s because those sorts of details also serve to slow the story-telling down some. To draw you in and drag you to the bottom of the lake, holding you under water until you have no choice but to keep reading until you come out on the other side.

A wise mentor has more than once reminded me that the opening five hundred words of any story (and sometimes every chapter) should be all setting. All impressions of the scene, with sensory details that establish how the character feels. It isn’t a hot day. It is that last day of summer before you have to start school again tomorrow when you were a kid, and you were going to suck every drop of fun out of it that you possibly could before Mom yelled at the kids to come eat dinner.

In those first five hundred words, you should maybe include a sentence or two of plot, just to whet the reader’s appetite more than anything. After that, you transition to the action, always remembering that opening details are good, but you shouldn’t slow walk to the story.

You have the opening paragraph to catch their eye. The opening page to draw them in and hit them with all the feels.

That long, and no longer, because if you let an editor escape, they might just toss you onto the rejection pile and move on to the next story. We read a lot of stuff, and are always looking for a reason to not finish a story. Hell, that same mentor used to be able to reject a story before he had even gotten it out of the envelope, just because the front page was one giant wall of text, paragraphs six or ten sentences long. Slow and laborious to read. Boring.

As a writer, your job is to craft tight prose, but it must evoke an emotional response from the reader, or you have failed. Simple as that. Grab them and pull them under water quickly. Never let them escape.

That will give you a story that will be memorable.